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Friedman got her start in South Africa, where she lived from the ages of eight to twelve. She started singing in a touring children’s choir, then auditioned for a show choir, which she credits with pushing her in a more theatrical direction. In high school she dabbled in professional shows, small films, Shakespeare studies, and directing but found a particular passion for acting. “I realized I liked acting better than singing because it required a lot more intelligence and thought...

Author: By Victoria J. Benjamin, CONTRIBUTING WRITER | Title: Talisa Friedman '10 | 4/27/2010 | See Source »

Since then, Reddout has thrown herself into all things music on campus. In addition to being a Choral Fellow with the Harvard University Choir and singing at every morning prayer in Memorial Church, she has been a member of a cappella group the Harvard Opportunes. She has also performed with the Harvard-Radcliffe Orchestra, as well as the Brattle Street Chamber Players...

Author: By Lauren B. Paul, CONTRIBUTING WRITER | Title: Jordan Reddout ’10 | 4/27/2010 | See Source »

Over lunch at a Manhattan hotel shortly before Glee's April 13 return from a four-month hiatus, Lynch characterizes the show's student singers, without irony, as "a group that just wants to make a joyful noise." She tears up recalling her own high school choir experience. She bursts into song. Five times. And though she says Sue Sylvester "doesn't live too far from the surface," the Glee character she feels the most kinship with is Tina Cohen-Chang (Jenna Ushkowitz), a wallflower who fakes a stutter to mask her shyness and generally confines herself to the chorus...

Author: /time Magazine | Title: Best in Show | 4/26/2010 | See Source »

Ultimately, Kuumba is unified by its ambition to explore black culture and its commitment to ensuring that undergraduates on campus view the choir as a safe space for black students. Members hope these goals will remain unchanged...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Kuumba Celebrates 40th | 4/20/2010 | See Source »

...show’s score, though used sparingly, enhances the production’s chilling tone. In Katurian’s confession scene, a spooky, romping rock riff injects the play with electric energy. At other times, the faint, haunting sounds of a children’s choir waft over Katurian narrating his horrid tales or characters recounting painful memories...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: 'Pillowman' Anything But Fluffy | 4/20/2010 | See Source »

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