Word: choirful
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...thumping speeches. Thurmond was waging a winning write-in campaign for the U.S. Senate. Last week, 24 years later, Nelson, now a Thurmond campaign aide, slouched against the door of the National Guard armory in Greer, S.C., where, after a rousing performance by the Fairview Baptist Church Choir, Thurmond railed against the Panama Canal "giveaway" and the Labor Law Reform bill. Mused Nelson: "There's Thurmond, there's South Carolina...
Elsewhere at Harvard, the Radcliffe Choral Society. Harvard Glee Club, Collegium Musicum and Graduate Chorale crowd the vocal scene. RCS, a choir of sixty women, is touring the British Isles next June, but before that, it will team up with the Glee Club, Collegium and HRO to perform Verdi's Requiem in April...
...hours later, having replaced the white miters with red birettas, the Cardinals reassembled to begin making that decision. Promptly at 4:30 on Friday afternoon, Jean Cardinal Villot, Camerlengo (Chamberlain) of the vacant Holy See, gave a signal and the 70-member Sistine Chapel choir started to sing Veni Creator Spiritus (Come Holy Spirit). The Cardinals then filed into the Sistine Chapel. There, beneath Michelangelo's great fresco The Last Judgment, they seated themselves on facing rows of plain chairs at twelve long tables. There were too many Cardinals this time to accommodate them with the traditional canopied velvet thrones...
Despite Mormonism's obvious success and the comforting image evoked by Donny and Marie or the Tabernacle Choir, outsiders (known as Gentiles) still find something disturbing about the faith. Though Mormons are no longer as isolated as they once were in Young's mountain kingdom, they nonetheless seem to exist behind an invisible barrier. Once a Mormon temple is consecrated, no outsider may enter to see the secret rites or oxen-borne baptistries. Ecumenical entanglements with conventional Christian groups are forbidden. The Mormon religion, with its modern-day prophets and scriptures, can seem odd indeed to nonbelievers...
Charpentier: Te Deum, Magnificat (King's College Choir, Cambridge, Academy of St. Martin-in-the-Fields, Philip Ledger, conductor; Angel). Marc-Antoine Charpentier (1634-1704) wrote brilliant religious music for Louis XIV that is seldom heard today. This recording celebrates Charpentier's majestic trumpet flourishes and garlands of intertwined, polyphonic passages. The resplendent voices of the King's Choir-recorded in the King's College 500-year-old chapel, with its perfect acoustics-would have pleased the Sun King...