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...peculiar situation when over 1000 people fill a church to hear a deeply religious work conforming to the strictest theological orthodoxy. It is even more bizarre in light of the contrast between the Christianity of Memorial Church (as aided by the Choir) and the Catholicism of Claudio Monteverdi's Venice in 1610. Monteverdi's exuberant celebration of the festival of the Virgin Mary outrageously flaunts Puritan restraint...

Author: By Kenneth Hoffman, | Title: Monteverdi | 3/27/1974 | See Source »

Harvard University Choir. Monteverdi: 1610 Vespers. Free. Sunday, March...

Author: NO WRITER ATTRIBUTED | Title: Classical | 3/21/1974 | See Source »

Something for everybody this week: more concerts than any other week all year. Best bet among the big programs; the HRO's concerto-contest winner (playing Liszt!) on Friday; and the Choir's Monteverdi Vespers on Sunday night. Both Eliot and Mather Houses are sponsoring first-rate chamber music. And even the Music Department is in on things: with a violinist who dares play Kreisler and Sarasate in Paine Hall! --Kenneth Hoffman...

Author: NO WRITER ATTRIBUTED | Title: Classical | 3/21/1974 | See Source »

...England Conservatory Concert Choir is doing a striking program: the Boston premiere of Nuits by Xenakis and the world premiere of a Peyton piece. The "standard" works are cantatas one and three from Bach's Christmas Oratorio...

Author: NO WRITER ATTRIBUTED | Title: Classical | 3/14/1974 | See Source »

Harvard University Choir. A special Lenten service. Bach: Motet No. 5; Purcell: Evening Service music. Free. Sunday, March...

Author: NO WRITER ATTRIBUTED | Title: Classical | 3/7/1974 | See Source »

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