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Performing the Requiem was a carefully picked group of musicians. Adams recruited the chorus of sixty from the Glee Club, Radcliffe Choral Society, and the University Choir. The modest orchestra da chiesa contained some of Harvard's most respected undergraduate musicians. Of the four soloists, soprano Carlotta Wilsen conducts the Radcliffe Freshmen Chorus, tenor Henry Gibbons is the music tutor of Lowell House, and bass David Ripley is a freshman. Adams thus refuted the current contention that a major choral-orchestral work cannot be performed at Harvard without importing most of the necessary musicians from the outside...

Author: By Robert G. Kopelson, | Title: Mozart's Requiem | 3/21/1967 | See Source »

...Executive Committee; East House Committee; Hilles Library RGA Representative; Dormitory Social Chairman; Byzantine-Russian Liturgical Choir; Wild-cat Jug Band; PBH (St. Marks Project...

Author: NO WRITER ATTRIBUTED | Title: 'Cliffe Marshals Part II | 2/21/1967 | See Source »

Undergraduate Advisor 1966-7; Harvard Classical Club, vice-president, 1966-7; North House Committee 1963-7; Holmes Hall Dormitory Committee 1965-6; Byzantine-Russian Liturgical Choir 1965-6; Cantori da Chiesa, 1964-5; freshman chorus; Young Dems, 1964-5; Phi Beta Kappa...

Author: NO WRITER ATTRIBUTED | Title: Radcliffe Class Marshal Candidates | 2/20/1967 | See Source »

They are also one of the very few successful married couples in opera. Destiny, they feel, had a hand in it. Berry, 36, an alumnus of the famed Vienna Boys Choir, studied engineering after World War II, moonlighted as a jazz pianist and singer in a Vienna cabaret with a combo called the Melodie Boys. He was hopelessly inept at engineering, so his professor agreed to pass him only if he promised to give up bridge building for music. He agreed, and after three years of singing what he calls "walk-off" roles, he landed his first major part...

Author: /time Magazine | Title: Opera: The Happy Scrappers | 2/10/1967 | See Source »

...Outskirts. A baby-faced bantamweight of 31, Rawls prepped in the choir loft of the Greater Mount Olive Baptist Church on Chicago's South Side. In 1959, he began scuffling around the chitlin circuit, patrolling the outskirts of success with a series of recordings that at various times labeled him as a jazz, pop, gospel and even folk singer. Then, early last year, he decided to dish up some good old chitlin-style singing and sweet-talking. He invited a bunch of friends to the recording studio and recorded Lou Rawls LIVE! to their finger-popping, hand-clapping accompaniment...

Author: /time Magazine | Title: Singers: Soulin' & Sweet-Talkin' | 1/27/1967 | See Source »

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