Word: chopin
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Dates: during 1900-1909
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Following is the program for the Pop Concert in Symphony Hall this evening: 1. March, "Coronation," Meyerbeer 2. Overture, "Si j'etais Roi," Adam 3. Waltz, "Nachtschwarmer," Ziehrer 4. Selection, "La Tosca," Puccini 5. Overture, "Marriage of Figaro," Mozart 6. Largo, Handel 7. Polonaise, A major, Chopin 8. Finale from Act I, "Lohengrin," Wagner 9. Overture, "Euryanthe," Weber 10. Waltz, "Blue Danube," Strauss 11. Gavotte, "Rendezyous," Aletter 12. March, "Radetzki," Strauss
Following is the program for the Pop Concert in Symphony Hall this evening: 1. March, "Kaiser Friedrich," Friedemann 2. Overture, "Raymond," Thomas 3. (a) Prelude, Chopin 3. (b) Moment Musicale, Schubert 4. Suite, "Peer Gynt," Grieg 5. Selection, "Carmen," Bizet 6. (a) Berceuse, Strube 6. (b) Humoresque, Dvorak 7. Introduction to Act 3, "Lohengrin," Wagner 8. Overture, "Hunyadi Laszlo," Erkel 9, Selection, "Aida," Verdi 10. Menuet, Bolzoni 11. Waltz, "Tiralala," Strauss 12. March, "Frisch drauf los," Blon
...composer; Mr. F. R. Hancock '11 sang a group of songs comprising "The Song of a Dream," by A. W. Locke '05, "Love Song from the Greek," by C. B. Roepper '10, and "The Wind," by T. Lynes '10. In addition, C. D. Clifton '12 played the Chopin Ballade in G minor op. 23, and P. G. Clapp '09 brought the concert to a conclusion with Beethoven's pianoforte sonata op. 53. The main purpose of the concert being to bring to a hearing compositions by students in the Musical Department, or by recent graduates, it is unnecessary to consider...
...most noticeably individual of the group, in delicate delineation and poetic suggestion. Mr. Lynes's "The Wind" was undeniably graphic, and the forceful accompaniment added much to the treatment of the song itself. The accompaniments were admirably played by Messrs. Lynes and Roepper. Mr. Clifton's performance of the Chopin Ballade rose to a very high pitch of excellence, although one might have wished occasionally for more of the virtuoso dash. Yet the clearness of his phrasing, and his appreciation of the poetic contents was undeniable. The Beethoven Sonata at the end came somewhat in the nature of an anticlimax...
...program for the concert is as follows: I. Symphonic study for violin, violoncello and pianoforte, E. Royce '07 J. J. Demolins 1G., C. S. Poore '98, P. G. Clapp '09. II. Ballade in G minor, Chopin C. D. Clifton '12. III. Two movements from quintet in C minor for strings and pianoforte, P. G. Clapp '09 The Pierian Sodality String Quartet. J. J. Demolins 1G., C. S. Poore '98, C. C. Trump '09, O. W. Roosevelt '12, assisted by the composer. IV. (a) "Lullaby," A. W. Locke '05 (b) "Lovesong from the Greek," C. B. Roepper '10 (c) "The Wind...