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Pianist Judith Gordon--performs SONATA by Harbison and 24 PRELUDES by Chopin at Lehman Hall. Call...

Author: NO WRITER ATTRIBUTED | Title: At Harvard | 10/10/1991 | See Source »

...from his mother Florence, a no-nonsense woman who ran a nursery school in her backyard, and his late father Andrew, who served briefly as an elementary school principal. Lamar began piano lessons at four and studied diligently through his freshman year at Vanderbilt. Today he can deftly play Chopin or pound out rocket-top country piano, as he did in Bourbon Street watering holes while clerking for Federal Judge John Minor Wisdom after his 1965 graduation from New York University law school...

Author: /time Magazine | Title: George Bush's Point Man | 9/16/1991 | See Source »

...released album contains Gould's superb piano transcriptions of the Idyll, Siegfried's Rhine Journey and the prelude to Die Meistersinger. After nearly a decade of legal negotiations, it marks the beginning of a 30-disk series of Gould recordings, which will include such previously unreleased radio performances as Chopin's Sonata in B Minor

Author: /time Magazine | Title: Critics' Voices: May 20, 1991 | 5/20/1991 | See Source »

...recordings of these sonatas, along with a splendid new recording of Mozart's piano concerti Nos. 15 and 16, accompanied by the English Chamber Orchestra and conducted by Jeffrey Tate. Born in Japan, trained in Vienna and now residing in London, Uchida has a repertoire that ranges from Chopin to Ravel, not to mention Bartok and Carter, but she calls Mozart's work a "kind of world in itself . . . so complete that you can forget about the rest. Then you come out, and you are blinded...

Author: /time Magazine | Title: Critics' Voices: Mar. 25, 1991 | 3/25/1991 | See Source »

EVGENY KISSIN: CARNEGIE HALL DEBUT CONCERT (RCA Red Seal). From his daringly slow opening statement of Schumann's Symphonic Etudes, and throughout this recital of challenging works by Liszt, Chopin and Prokofiev, the Soviet prodigy, now 19, shows a potential for future greatness, with a command of tone, dynamics and phrasing that is always at the service of musical ends...

Author: /time Magazine | Title: Critics' Voices: Mar. 11, 1991 | 3/11/1991 | See Source »

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