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Moscow's crematory hall echoed with the somber notes of Chopin's Funeral March as the group of 200 mourners stood around the open coffin. They listened quietly as a tall, ramrod-straight man, his voice choked with emotion, eulogized its occupant. Suddenly, the cavernous hall's public-address system crackled out a brusque announcement that the group's time was up. Then, before more than a handful of mourners had been able to plant a parting kiss on the dead man's forehead, a woman in a black smock slid a cover...

Author: /time Magazine | Title: Russia: Eulogy for Alyosha | 11/22/1968 | See Source »

ALEXIS WEISSENBERG: RACHMANINOFF PI ANO CONCERTO NO. 3 IN D MINOR (RCA Victor); CHOPIN PIANO CONCERTO NO. 1 IN E MINOR, PIANO CONCERTO NO. 2 IN F MINOR, and SMALLER WORKS FOR PIANO AND ORCHESTRA (Angel, 3 LPs). After returning to the U.S. last year from a decade-long self-imposed exile, Weissenberg, now 39, changed his first name from Sigi to Alexis. He obviously had some new musical ideas on his mind too. In the Rachmaninoff, the Bulgarian-born pianist displays a Horowitz-like technique, a poet's heart and vast reserves of power; he throws up wave...

Author: /time Magazine | Title: Television, Theater, Records, Cinema, Books: Oct. 25, 1968 | 10/25/1968 | See Source »

VLADIMIR HOROWITZ AT CARNEGIE HALL (CBS, 9-10 p.m.). The first television concert by the renowned piano virtuoso includes works by Chopin, Schumann, Scarlatti and Scriabin...

Author: /time Magazine | Title: Television: Sep. 20, 1968 | 9/20/1968 | See Source »

...ground rule that no piece should last longer than ten minutes, he stuck by his determination "not to play down to the public, but not to be too esoteric either." His program is a shrewd sampling of nine works from his recent recitals, including the noble pathos of Chopin's Polonaise in F-Sharp Minor, the lapidary classicism of two Scarlatti sonatas, and the flashy fireworks of his own Variations on a Gypsy Song from Bizet's "Carmen...

Author: /time Magazine | Title: Specials: All Out for Project X | 9/20/1968 | See Source »

...CHOPIN: ÉTUDES OPUSES 10 AND 25 (Deutsche Grammophon). Hungarian Pianist Tamas Vasary, 35, continues to build a formidable reputation as a Chopin specialist. This is his twelfth recording of the great Romantic composer, and he compares favorably with the late Dinu Li-patti, particularly in the slower etudes. Vasary seems to have absorbed Chopin's dreamy melancholy. He etches long, unhurried lines of somber melody, but when the music calls for it, he can be a rousing bravura player as well. Opuses 10 and 25 contain some of Chopin's most familiar writing, but in Vasary...

Author: /time Magazine | Title: Television: Aug. 30, 1968 | 8/30/1968 | See Source »

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