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...CHOPIN: THE NOCTURNES (RCA Victor; 2 LPs). German Poet Heinrich Heine once wrote about Chopin that his "fame is aristocratic, it is perfumed with the approval of good society, it is as distinguished as his person." The same might be said of Artur Rubinstein, Chopin's fellow Pole. Taking the long-lined melodies of the 19 night pieces, Rubinstein floats them on their shifting chromatic undercurrents in a most elegant and assured manner, never falling into sentimentality...

Author: /time Magazine | Title: Television: Mar. 15, 1968 | 3/15/1968 | See Source »

...plat form manner is nononsense, but at the peak of his form he stirs poetry, fire and steel into whatever he plays. At a time when most younger American per formers make their loudest noise in the flashier side of the repertory -Prokofiev, Bartok, Liszt and the more extroverted Chopin - Graffman has matured into a musician able to challenge Europe's best in the more substantial classical and early romantic repertory...

Author: /time Magazine | Title: Pianists: The Busy Eclectic | 12/29/1967 | See Source »

...only four at the time, but her reaction was as perspicacious as it was prophetic. Granados, who turned out a substantial body of operas, songs and other kinds of music, was above all a composer for the piano. He blended an instinctive Spanish flavor with French impressionism and the Chopin-Liszt tradition to produce a heady and original style, flowing with romantic feeling yet tempered and refined by elegant workmanship. His six-part suite, Goyescas, which powerfully evokes the gaudy, sensual world of Goya's paintings and tapestries, stands with Albe-niz' Iberia at the pinnacle...

Author: /time Magazine | Title: Pianists: In the Blood | 12/15/1967 | See Source »

...philosophy of the Harvard Summer Concert Series seems to consist of indulging its audiences with the familiar while at the same time requiring that it ingest increasing amounts of the new and not so easily palatable. Pianist Leonard Shure opened the series with a completely traditional program of Chopin, Schubert and Beethoven; a week later Jamie and Ruth Laredo deferred to general taste with Bach and Beethoven, but managed to sneak in the somewhat post-Romanticist Sonata Concertante of contemporary Leon Kirchner; last night violinist Felix Galimir and his chamber ensemble (one almost expected the program to read "Felix Galimir...

Author: By Robert G. Kopelson, | Title: Felix Galimir and Chamber Ensemble | 7/25/1967 | See Source »

...work in which Shure's intellectual approach worked the least was Chopin's Sonata in b flat minor, Op. 35, the one that contains the famous Marche funebre. One of the composer' masterpieces, it dates from that period of his life when he was still in the first heat of his love affair with George Sand. As well-made as it is, the work pouring of melody that is sapped of life by an attempt to bring out every element of compositional logic. After all, this music is French. As in the Schubert, Shure was at times heavy-handed, especially...

Author: By Robert G. Kopelson, | Title: Leonard Shure | 7/14/1967 | See Source »

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