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...Pianist Van Cliburn played at Michigan's Interlochen National Music Camp, recorded two Chopin sonatas in a New York studio, packed the Hollywood Bowl for Rachmaninoff's Piano Concerto No. 2, and ate a folksy dinner with his parents and friends at their home in Shreveport, La. In between times, he mused about himself, his fame and his music: "The role of a concert artist in a concert hall will never be eclipsed...

Author: /time Magazine | Title: Television: Bell Ringer | 12/16/1966 | See Source »

...CHOPIN: CONCERTO NO. 1 IN E MINOR (Seraphim). Taped from a 1948 broadcast, this is a performance by Dinu Lipatti, the fabled Rumanian pianist who died of Hodgkin's disease at 33. The concerto gives no hint of the sweep and virility Lipatti was capable of, but reveals his lyrical side, warm and magically sustained. The sound is a bit dim, and one seems to be listening by moonlight...

Author: /time Magazine | Title: Television: Nov. 18, 1966 | 11/18/1966 | See Source »

BACH: CONCERTO IN D MINOR; CHOPIN: CONCERTO NO. 2 IN F MINOR (London). Vladimir Ashkenazy's technical brilliance is enough by itself to rivet the listener's attention, but it is only one factor in a superb performance. He moves across the glittering surface of the Chopin like moonlight on a windswept lake, and gives the popular Bach concerto an almost hearty treatment that displays to perfection the gaiety in its baroque adornments...

Author: /time Magazine | Title: On Broadway: Jun. 24, 1966 | 6/24/1966 | See Source »

...gives the 61-year-old pianist a standing ovation before he has played a note. He rushes to the piano and begins. The lean, intense face seems to exhale a melancholy all its own, but the fingers are as joyous as they were in the old days. The Chopin sings; the opaque, psychedelic visions of Scriabin are somehow made lucid. A critic calls him still a monarch. His wife is overjoyed at all the adulation. "Mr. Horowitz," she says, "is like a fifth Beatle...

Author: /time Magazine | Title: Pianists: Concerto for Pianist & Audience | 4/29/1966 | See Source »

...last week, he plays again. His Scriabin is more difficult and more triumphant, his Chopin alternately stormy and suave; it is more introspective than Rubinstein's, probes for a cerebral content that surprises and electrifies. His eyes are glued to the keyboard, his fingers carefully searching out each note as if they are switches that illuminate sound. But the greatest success is not in the relationship of Horowitz to his audience or Horowitz to his critics, but of Horowitz to Horowitz. He signs a five-year contract with Columbia Records. On May 8 he will play again before...

Author: /time Magazine | Title: Pianists: Concerto for Pianist & Audience | 4/29/1966 | See Source »

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