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...seventh International Chopin Piano Competition began with a cloud of controversy and ended with a puff of perfume. As the field of 83 contestants was whittled down, one U.S. entrant who was eliminated lodged a sourgrapes complaint that the judges (14 from Communist nations, seven from Western countries) were "unfair" in advancing all twelve Russian and Polish performers. Yet when the final round opened last week, for the first time in the 38-year history of the competition (held every five years, except for an interruption during the war) there was not a single Russian in contention. If anything...

Author: /time Magazine | Title: Pianists: Dark Victor | 3/26/1965 | See Source »

...been heavily bombed by Nazi planes and was heartened on those long-ago, smoky, red-eyed mornings by the inspiring Churchill presence poking defiantly among the ruins. The cortege moved on through Fleet Street, home of London's press, and then up Ludgate Hill to the strains of Chopin's Funeral March...

Author: /time Magazine | Title: Great Britain: Requiem for Greatness | 2/5/1965 | See Source »

INSTRUMENTAL: Pieces often played by students reveal unsuspected subtleties as Glenn Gould makes eloquent the several voices in Bach's Two-and Three-Part Inventions (Columbia) and Artur Rubinstein turns Chopin's Waltzes into lilting, sparkling poems (RCA Victor). Sviatoslav Richter makes Schubert's "Wanderer" Fantasia sing (Angel), and John Browning premieres what may become one of tomorrow's classics, though not too different from yesterday's: Samuel Barber's 1962 Piano Concerto (Columbia...

Author: /time Magazine | Title: On Broadway: Dec. 25, 1964 | 12/25/1964 | See Source »

MOZART: CONCERTO NO. 17 (RCA Victor). Artur Rubinstein has made long series of Beethoven, Brahms and Chopin recordings, but only in his mid-70s is he turning to Mozart, who did not live long enough to grow old. The best modern Mozart interpretation demands more crispness, but Rubinstein's performance has its own serene and sunny logic. He is accompanied by Alfred Wallenstein and the RCA Victor Symphony Orchestra...

Author: /time Magazine | Title: Television: Jul. 31, 1964 | 7/31/1964 | See Source »

This Actors,Studio production attains a sense of loneliness, emptiness, inertia, and the parched, anguishing inability to enjoy life but only from moment to moment rather than continuously. Chekhov is the drama's Chopin, fragile, lyrical, nocturnal, romantic, ineffably sad. This mood music hovers in the air of this Broadway revival, but it does not permeate the play...

Author: /time Magazine | Title: Theater: Joyless in Purgatory | 7/3/1964 | See Source »

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