Word: chopped
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Dates: during 1960-1969
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...defensive lineman can't beat a blocker with finesse, there is always brutality. A favorite trick is the "vacuum pop"-clapping his hands over the earholes of an offensive player's helmet. Another is the karate chop, delivered with a beefy forearm encased in layers of tape. "You try not to let it get too personal," says Defensive End Sam Williams of the Atlanta Falcons. "But what the up-front struggle really amounts to is an angry, private little war between two people...
...undoubtedly swayed by the single strongest argument for pass-fail which has been constantly repeated during the two-year debate. David Riesman '31, Henry Ford II Professor of Social Science, states it best: "Most students here take too many courses. They chop their emotional energies into too many little bits. We should be encouraging students to play from weakness instead of strength, but the system here puts pressure on the student not to extend himself in areas where he's awkward because he fears not doing brilliantly...
...Those show-offs who wear dresses up to their bottoms know nothing about fashion," fumes Jo Hughes, the super-saleslady at Manhattan's Bergdorf Goodman who has made a career out of helping stylish women stay in style. Snaps West Coast Designer James Galanos: "All they've done is chop five inches off the hem and they call it new. To me it's a laugh." It is no laugh to Norman Norell, 67, dean of American designers. "Elegance is out," sighs the master of elegance. "It's a fascinating, frustrating time to be a designer...
...over the South you can see them--convict and workers in gray fatigues, trousers with faded white stripes down the leg and always a rifle-toting guard lounging nearby. They chop grass, pick up garbage, and tar highways under the sun and the swirling dustclouds. Look inside the chain gang and you will find a caricature of middle class American society: duties and pleasures are meticulously ordered and scheduled, "Learn the rules" is the old con's advice. And it is good advice, for the road camp is a world of regulations, conformity, and menacing authority...
Nonetheless, many of the minor works are high-voltage pictures in themselves. A savage chop of cross-hatching and rapid brush strokes give Van Gogh's watercolor foliage as much urgency as one done in a heavy oil impasto; the extravagantly translucent turquoise shadows of his barred window at the Saint-Remy asylum emphasize the manic oppressiveness of the room's yellow walls...