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Word: choraled (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...Wednesday night with the world premiere of Peter Sculthorpe's Requiem for orchestra, chorus and didjeridu. For nearly 60 years, this Tasmanian-born composer's music has resonated with the sacred quality of nature. The Requiem is his masterwork. Based on an old Aboriginal lullaby, Sculthorpe's soaring choral work is punctuated by weeping cellos and grounded by the majestic hum of soloist William Barton's didjeridu, suggesting the long horizon of the Outback...

Author: /time Magazine | Title: In Leaps and Bounds | 3/8/2004 | See Source »

...Yannatos’s most ambitious composing endeavors, his Trinity Mass, which won the Artists Foundation Award in 1988, premiered with the HRO and Harvard choral groups just two years previous. In many ways, he is tied inextricably to the success of his students, strengthening his sensitivity to the way his music flows from paper to performance...

Author: By Adam P. Schneider, CRIMSON STAFF WRITER | Title: James Yannatos | 2/26/2004 | See Source »

While Peritz and two other DHO leads are thinking about pursuing a career in opera, many others are singing opera for the first time. DHO draws a diverse range of singers every year, including many from the Harvard Radcliffe Collegium Musicum and the Radcliffe Choral Society...

Author: By Zhenzhen Lu, CRIMSON STAFF WRITER | Title: Lowell, Dunster Houses Prime for New Spring Opera Season | 2/13/2004 | See Source »

...Harvard-Radcliffe Collegium Musicum, the Harvard Glee Club, and the Radcliffe Choral Society join forces to present Mozart’s Requiem. Musical accompaniment is provided by the Orchestra of Emmanuel Music, and soloists include Carole Haber (soprano), Paula Murrihy (mezzo-soprano), William Hite (tenor), and Mark McSweeney (baritone). Sanders Theatre. 8 p.m. Tickets $18-$28, students...

Author: By Crimson Staff, | Title: Listings, Dec. 12-18 | 12/12/2003 | See Source »

...Dead Cities, each inveterate drone and clunky snare forms a unique texture of a cohesive reality, resulting in perhaps the purest aural approximation of human experience put to record. The enlightened “In Church” recreates a Christian mass from organs, disparate choral fractions and a persistent solitary fuzz-synth preacher. “Gone” is bombarded with the memories of a lost love, culminating in a cathartic screech that clears out until all that remains is the dull memory of the sensation. With only Crayola-simple synth beats and the occasional muted female vocalist...

Author: By Ben B. Chung, CRIMSON STAFF WRITER | Title: All Sussed Out | 12/5/2003 | See Source »

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