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...Lexington Choral Society, supported by the Festival Orchestra, devoted its concert, under the direction of Allen Lannom, to two major works: Vaughan Williams' Dona Nobis Pacem, and Orff's Carmina Burana. Acting on his premonition of World War II, Vaughan Williams wrote his cantata in 1936, in which he fashioned his text from a phrase of the Roman Mass, sizable excerpts from Walt Whitman (who is full of superlative choral texts), and bits from John Bright and the Bible. Composed with a knowing hand, it lacked only vitality in performance...

Author: By Caldwell Titcomb, | Title: Arts Festival Exhibits Stir Up Controversy | 7/5/1960 | See Source »

...like a photographic print." Japanese audiences heard Hovhaness conduct several of his older works-Psalm and Fugue, the 28-minute Concerto No. 8-plus two brand-new works written in transit: Symphony No. 8, subtitled "Arjuna," after the name of a mythical hero from Indian folklore; and the choral piece Fuji (based on an 8th century Japanese poem beginning: "As I stepped out on the beach of Tago, I saw snow falling on Mount Fuji...

Author: /time Magazine | Title: Music: The Wandering Armenian | 5/16/1960 | See Source »

Gerald Wilfring Gore is a prolific arranger of music who for years made a modest living turning out choral adaptations of such varied works as Home on the Range, Pestalozza's Ciribiribin, William Byrd's Ave Verum Corpus. Last week, in Manhattan's Caspary Auditorium, a crowd of musical professionals gathered to honor Arranger Gore on his 75th birthday. But the man who rose to take a shy bow at concert's end was known to the audience not as Gerald Gore but as Composer Wallingford Riegger...

Author: /time Magazine | Title: Music: Pioneer from Georgia | 5/9/1960 | See Source »

Threni is really a series of canonic passages, generally sung by soloists, punctuated by choral enunciations of the Hebrew letters that divide the text. The letters are short, frequently no more that a bar, and gentle, in the manner of Orpheus and the Sonata for two pianos. The considerable body of instruments is never used all at once, but broken into chamber-like groups; even then the instrumental comments are decidedly laconic. Exceptionally, the first movement includes a remarkable passage for tenor and fluegelhorn in free canon, while low sopranos, altos and low violins tremolandi move about restlessly. The peculiar...

Author: NO WRITER ATTRIBUTED | Title: Stravinsky: Threni | 1/13/1960 | See Source »

...Mahler wrote giant-sized, tempestuous music that echoes his countryman, Anton Bruckner; on first hearing, a Mahler piece usually sounds like far-out Brahms with Wagnerian delusions. To Mahler, the symphony was the ideal musical form; he composed no chamber music, no music for solo instruments, no small-scaled choral pieces; even his famous song cycle, Das Lied von der Erde, calls for a full orchestra. Of the ten symphonies he wrote, only the First and Fourth are of normal length; the rest run on for as much as 90 minutes and employ vast orchestras. Symphony No. 8, dubbed...

Author: /time Magazine | Title: Music: Mahler Revisited | 1/11/1960 | See Source »

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