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Word: chorales (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...Marian Anderson, male chorus of the University of Pennsylvania Choral Society, the Philadelphia Orchestra with Eugene Ormandy conducting; Victor: 6 sides). The Rhapsodie, to gloomy verses by Goethe, nobly sung; the Lieder overdressed by orchestral accompaniment...

Author: /time Magazine | Title: Music: SYMPHONIC, ETC. | 6/12/1939 | See Source »

...rapt, indefatigable German-American named J. Fred Wolle who slaved for two years to train local steelworkers and shopkeepers for their first public performance in 1900 of Bach's prodigious B Minor Mass. He conducted every Festival thereafter until his death in 1933, achieved such marvels of choral attack and expression that Bethlehem became almost as famous for singing as for steel. Guarantors who helped him with the annual Festival included Bethlehem Steel's Chairman Charles M. Schwab...

Author: /time Magazine | Title: Music: Bach at Bethlehem | 5/29/1939 | See Source »

...Bach chose the form because its complexity gave adequate play to his technical resources and expression to his love of God. For many years performed nowhere in the U. S. but at Bethlehem, it is now an annual climax to other choir seasons, is perhaps the most famous liturgical choral work in existence...

Author: /time Magazine | Title: Music: Bach at Bethlehem | 5/29/1939 | See Source »

...little hilltop college town of Northfield, Minn. Only the first 4,000 jammed their way into the red brick gymnasium of St. Olaf Lutheran College. The rest sprawled on the surrounding lawns. What drew all these people to St. Olaf's gymnasium was a two-day festival of choral music. Delegations of husky Lutheran choristers from all the surrounding States had come to St. Olaf to sing. Together they made a huge chorus of 1,400 voices. When that chorus boomed forth its repertory of old German chorals, it was something to hear...

Author: /time Magazine | Title: Music: At St. Olaf | 5/22/1939 | See Source »

...dished out the whole of Saint-Saens' opera, Samson et Dalila, and Act II of Wagner's Parsifal, threw in Stravinsky's Symphony of Psalms and a brace of 18th-Century oratorios, and filled in the chinks with miscellaneous nuts and raisins of symphonic, operatic and choral music...

Author: /time Magazine | Title: Music: Cincinnati's Festival | 5/15/1939 | See Source »

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