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Word: chord (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...nightmarish repetition of the immolations of 1963, when eight Buddhists burned themselves to death protesting President Ngo Dinh Diem's anti-Buddhist repressions. At that time the monks were playing on a religious chord that brought a dramatic response in the largely Buddhist nation. This time the immolations were naked political power plays, inspired if not condoned by militant Monk Thich Tri Quang in Hue. While the flames were still flickering over the nun's charred body, Tri Quang summoned the press to make clear his grievance: Premier Ky's successful suppression of the Buddhist-inspired rebellion...

Author: /time Magazine | Title: South Viet Nam: The Light That Failed | 6/10/1966 | See Source »

...Tommy," Donnie gushed to the throb of the last chord: "It slays me! It's great! It really breaks me up! It's fresh! It knocks me out! It's got everything! It's completely fresh, especially with that yodel...

Author: /time Magazine | Title: Show Business: Man with the Golden Ear | 4/22/1966 | See Source »

...radio listeners as Hen ry Barbour, patriarch on One Man's Family, over which he presided for 26 years (until the program went off the air in 1959) with a mellifluous voice and an air of kindly concern about the trials of his growing family, striking a responsive chord with millions of fans who faced the Depression, the War and even the Kinsey Report comforted by hearing Father Barbour's paternal insights; of a heart attack; in Los Angeles...

Author: /time Magazine | Title: Milestones: Apr. 1, 1966 | 4/1/1966 | See Source »

...legs and lots of pictures on it. 'My mother. Queen Mary, arranged that,' the Duke said. I saw I couldn't do much with the piano, so I decided to play a Chopin Polonaise, invariably an effective piece for an unmusical person. When I struck the first big fortissimo chord, the entire piano collapsed at my feet. That was the end of the concert...

Author: /time Magazine | Title: Pianists: The Undeniable Romantic | 2/25/1966 | See Source »

...first half of the program, this piece contrasted with the incredibly powerful Kodaly Te Deum. Kodaly achieves the same effect that is so exciting in much of Shostakovitch's music: a pounding rhythm carried over from a previous phrase into a huge, loud, added-note chord that floods the concert hall with a sound that feels like it's going to go through your whole body. Kodaly uses silence very effectively after these moments, much as a polished public speaker will pause after particularly emotional apostrophe...

Author: By Thomas C. Horne, | Title: HRO, HGC, and Radcliffe Choral Society | 12/13/1965 | See Source »

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