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Frank Trippett's Essay "A New Distrust of the Experts" [May 14] struck a responsive chord in me. As both private citizen and public official I've struggled with the decision as to which of conflicting "experts" to believe. Perhaps the essential element in choosing whom to believe is to decide what the question is. Is it truly a technical question or is it imbued with emotional and ethical content...

Author: /time Magazine | Title: Letters, Jun. 11, 1979 | 6/11/1979 | See Source »

...four months of the New York Times, for example, Harvard was mentioned in connection with its graduates three times more than all other colleges combined. Essentially, the book is a 237-page collection of odd quotes, bizarre statistics, dull ancedotes, and drivel. The author strikes a particularly banal chord when he tries to add some organization to his endless list of alums. At one point, he tries to distinguish the difference between the proto-Harvard man--one whose ancestors also attended the school-- and the neo-Harvard man. From there, he somehow gets around to talking about the fact that...

Author: By Robert O. Boorstin, | Title: The Harvard Mistake | 6/6/1979 | See Source »

...listened to with headphones. The sound is unmistakeable and very pleasing, and so far Reed has been able to write songs that take full advantage fo it. On "I Want to Boogie With You," Don Cherry's trumpet and Marty Fogel's sax thicken the soup of a repeated chord sequence in the bass and guitar; indeed, throughout The Bells these traditional jazz instruments are worked into Reed's rock songwriting better than most so-called fusion bands ever manage. Reed advertises his new orientation on the album sleeve, prominently displaying his statement. "If you can't play rock...

Author: By Scott A. Rosenberg, | Title: Notes from Underground? | 5/23/1979 | See Source »

...faith along with his vaseline-and-tale pomaded hair, a faith in rock and roll and its ability to survive its own history, a cocksure answer to the "Now what?" he mutters once between tracks on this wonderful new album. The answer consisted of a return to three-chord rock and roll and a reworking of old standards in an energetic new style. Their originality relied on performance, not form; rock and roll has always been wrapped up in personality and attitude, and the contumacious stance and demonic vigor the Sex Pistols brought to rock and roll renewed...

Author: By Paul A. Attanasio, | Title: Kill Rod Stewart | 4/4/1979 | See Source »

Though Government attorneys consider the suit to be mainly a public relations gesture, it will strike a chord among many businessmen who maintain that the "discrimination" problem lies with the cumulative bad effects over the years of the many changes, contradictions and lack of coordination in federal employment regulations. The suit notes that some of Sears' present difficulties stem from postwar years, when Washington urged companies to hire veterans, who were then predominantly white and male. The later imperative to hire more women and minorities not only conflicted with this earlier priority but also resulted in hiring policies being...

Author: /time Magazine | Title: Business: A Sears Suit | 2/5/1979 | See Source »

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