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Broader trends show much the same thing: A massive resurgence of energy laden hard rock, the three-chord style, led by the J. Geils Band, the finest-chord rock band playing music. The startingly reactionary nature of white rock in Detroit a genre whose foundation rests on a move away from both the slickness of Motown and the innovative qualities of late sixties progressive rock. (A complete assessment of white rock in Detroit is in order, one will appear in this space soon. In short, rock in holding fast, or retreating, or simply in limbo, on each of its fronts...

Author: By Frederick Boyd, | Title: Take it Easy, But Take it From Somewhere | 10/5/1972 | See Source »

These lyrics, from a 1971 hit recording by Songstress Carole King, have struck a responsive chord in millions of Americans. That comes as no surprise to Social Critic Vance Packard. The song became popular, Packard believes, because it poignantly reflects the pain and yearning of a nation on the move. America has become a land of nomads, he says, a nation of men and women who are rootless, isolated, indifferent to community problems, shallow in personal relationships and afflicted with "unconnectedness and a lonely coldness...

Author: /time Magazine | Title: Behavior: The Nomadic American | 9/11/1972 | See Source »

...Feeling," the band's most recent single, was excellent, remaining in the upper register of his instrument, but neither repetitive nor boring--a considerable feat considering the rock guitarist's preoccupation with high notes. With him, "C'mon," once a country-styled, light opening tune, becomes slower, much more chord-oriented, in short, more rock 'n' roll...

Author: By Frederick Boyd, | Title: Child's Claim to Fame | 8/15/1972 | See Source »

...from the heat in front of the stage; the Jagger-Richard duets; quick glances around the Garden, with the balcony looking like another, calmer, world removed from the chaos downstairs; a rear stage view, with Chip Monck's arm slashes cueing the crew in the split second of a chord change...

Author: By Frederick Boyd, | Title: 'You Guys Aren't Exactly Muscle Beach' | 7/28/1972 | See Source »

There are final impressions, the girls who fainted during the second song, and missed the rest of the show; Mick Taylor playing slashing leads without breaking expression; the complete imperturbability, or musicians, a fire-cracker went off not thirty feet from the stage, not a chord missed; finally, a last image of Jagger's complete exhaustion at the concert...

Author: By Frederick Boyd, | Title: 'You Guys Aren't Exactly Muscle Beach' | 7/28/1972 | See Source »

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