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...center of most of the other dance numbers is Shannon Thompson, a girl who can't help but ignite you spinal chord. Miss Thompson is, quite simply, the best musical comedienne Cambridge could ever hope to have. From the first time I saw her (as a stripper in Gypsy, looking something like an eight-foot tall slutty butterfly), I knew this girl could do no wrong. As Lola, the sexiest witch of all time, she grabs more laughs than anyone (including no doubt the authors), ever knew existed in the role. Even here dancing has a certain humorous, self-mocking...

Author: By Frank Rich, | Title: Damn Yankees | 5/6/1969 | See Source »

Similarly it is clear that the question of restructuring the University did strike a responsive chord in the University community. As Herb Gintis and Jon Supak point out in their leaflet, it is clear that restructuring can be approached in a constructive and radical fashion as much as it can be used as a smoke screen to erode radical stands. In view of the student interest that the issue kindled, SDS ought to have taken care to put forward its own position on the matter and attempted to work on the problem. The worst possible tactic, the one that...

Author: By Salahuddin I. Imam, | Title: There's No Point Fighting to Lose | 4/23/1969 | See Source »

...starting point we might consider the essential musical structure of most of the music we call the Blues. In its basic form it has a three chord structure in a 1, 4, 5 progression. It usually has 12 bars though this can be varied to 8, 16 or any multiple of 4. It is usually in 4/4 time but it can be fitted to other rhythm patterns as well. There is a Blues chromatism or Blues scale which has African origins and differs from the West European scale. In order to play the correct Blues notes it is necessary...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

Certain notes are primary to the Blues. In any key the most important notes are the third and seventh scale degrees which are played naturally or flatted. Thus if you're playing in the Key of E in the chord of E the third scale note is G and the seventh is D. Another Blues note is the fifth scale degree (B in the Key of E). These notes give the music the distinctive Blues sound. Out of this basic framework black musicans have created over the years the remarkable body of material that one chooses to lump under...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

...Blues classic like Sonny Boy's "Help Me." This song is "Dust My Blues" (written by Robert Johnson) and it opens with an explosive burst from James's slide guitar and it rocks like only the greatest rock songs. The rhythm section pounds through the basic 12 bar chord changes and James shouts out his lyric about his "no good" woman...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

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