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...high point of the evening was the performance of Hindemith's symphony Mathis der Maler, made up of three sections from his rarely performed opera on the life of Grunewald. Intonation is a major problem in Hindemith. Chords follow one another in the most improbable succession; for the results to be intelligible, nearly every chord must be tuned up separately, and the musicians must have rehearsed it enough to remember what those unorthodox progressions sound like. It takes a lot of involvement and intelligence to play Hindemith--it's impossible to bomb through...

Author: By Isaiah Jackson, | Title: Harvard-Radcliffe Orchestra | 3/8/1965 | See Source »

...rebels' revolt struck a sympathetic chord among many Malawans who revere the Lion but wish he would soften his autocratic ways. Nevertheless, bustling little Prime Minister Banda was still hale and hearty last week and so confident of winning that he refused to attend a peace conference with the rebels arranged by the British Governor General...

Author: /time Magazine | Title: Malawi: Challenge for Father | 10/2/1964 | See Source »

...FOLKSINGER'S CHOICE (Elektra). Known especially for his performances of Yiddish and Hebrew songs, Theodore Bikel turns now to traditional Scotch, Irish and contemporary American music. Bikel can change dialects at the sound of a chord, and is at home wherever there is a smile (Away with Rum) or a tear (Come Away Me Undo...

Author: /time Magazine | Title: Television: Jul. 24, 1964 | 7/24/1964 | See Source »

Blonde & Boat. Raised in London's squalid East End, John Bloom quit school at 16, stumbled from one get-rich scheme to another. In 1958 he finally hit the right chord: he splurged $1,187 on an ad in the tabloid Daily Mirror (circ. 5,000,000) offering home washing-machine demonstrations. The ad drew 7,000 replies from prospering Britons-and Bloom soon had a firm set up to sell them. His unorthodox selling and barebone prices quickly cornered 10% of the washer market. Bloom then bought out lifeless Rolls, an old razor maker...

Author: /time Magazine | Title: Britain: Trouble in Never-Never Land | 7/24/1964 | See Source »

...very end of the movement. In the second, the sole twelve-tone piece, pizzicato strings, harp and per cussion executed difficult rhythms gracefully if not perfectly. At the end of the third piece, a dirge with an ostinato bass, the orchestra turned into a chorus and sang the final chord. Happily, Biss repeated the performance for an amused audience...

Author: By Geoffrey P. Hellman, | Title: Bach Society Concert | 5/11/1964 | See Source »

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