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Kerry's call for public service touched a chord with members of his audience, many of whom are currently contemplating future careers...

Author: By Robert K. Silverman, CONTRIBUTING WRITER | Title: Kerry Talks Programs, Politics to HLS Audience | 10/27/1998 | See Source »

Tired of distorted guitar riffs, pounding drums and the occasional bass breaks? Too bad, because Local H explores these elements as very few in the post-grunge era have in Pack Up the Cats. Repetitious, almost hypnotizing chord structures pull the listener in with building crescendos along with the typical start and stop patterns which made 1996's "Bound For The Floor...

Author: By Benjamin L. Kornell, CONTRIBUTING WRITER | Title: Catty Driving Music For Suburban Illinois | 10/23/1998 | See Source »

...album proves a mixture of signature start/stop riffs strung together by lengthy chord progressive choruses, often spelled by a soft interlude to add to dramatic effect. This album actually reveals the diversity of this typically "heavy" group. The 48-second "Lucky," which continues on the last track as "Lucky Time," gives a respite from the pumped up slam in the first half of the album, but this mellowing effect is countered by the unintelligible "500,000 Scovilles" which leads into one of the album's biggest successes, "What Can I Tell...

Author: By Benjamin L. Kornell, CONTRIBUTING WRITER | Title: Catty Driving Music For Suburban Illinois | 10/23/1998 | See Source »

...concert, at Symphony Hall, opened with Beethoven's Egmont Overture. It was obvious from the get-go that this was not the Beethoven of Bernstein's New York Philharmonic or Solti's Chicago Symphony. The first powerful f minor chord, an expression of force that often drowns the listener with its weight, had a subdued, chamber-like quality not normally associated with the work. The timbre of the period woodwinds, as heard in their ensuing dialogue, differed slightly from the sound of a modern performance. This distinction in tone colors became more noticeable in the well-executed solo horn sections...

Author: By Chad B. Denton, CONTRIBUTING WRITER | Title: Period Beethoven Program Charms All | 10/23/1998 | See Source »

...shock. Warbling through a cameo in kitschy Austin Powers, Burt Bacharach has gained a prominence of late, with ripened sex appeal and flawless lounge credentials. In all the fuss, though, what has been neglected is the mastery of his songwriting, full of curious melodies, startling chord changes and the catchiest hooks this side of Top 40s radio. With lyricist Hal David and vocalist Dionne Warwick, he produced some of the best pop songs of the '60s, at the moment when rock was sending the pure songwriting tradition to its final death throes...

Author: By Jared S. White, CONTRIBUTING WRITER | Title: They're What the World Needs Now | 10/9/1998 | See Source »

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