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...instrument, is the first sound to present itself, followed by Coltrane's and bass clarinetist Eric Dolphy's repetition of a hypnotic two-note motif. In the solo section, the performance assumes the format of much of the music on this collection-dense, angular horn soloing over essentially no chord changes. Even the appreciative listener has difficulty comprehending the music upon first exposure, and judging from the scattered applause following the performance, the audience may have been baffled as well...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: The Jazz Fortune Coltrane Left Behind | 10/3/1997 | See Source »

Beginning with an elegiac, out-of-tempo introduction, the striking "Spiritual" becomes a mid-tempo, waltz-metered piece over a two-chord progression. Coltrane's bluesy soloing and Jones' ability to swing in spite of tempo contribute to the compelling mood of this composition...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: The Jazz Fortune Coltrane Left Behind | 10/3/1997 | See Source »

...balanced budget. "New programs for kids are a great way to unite the party," says a White House aide; even House minority leader Richard Gephardt, who denounced the balanced budget, is helping plan the kiddie offensive. Most important, Clinton's advisers think children's issues strike a special chord with Americans. "The fastest growing segment of the electorate is the one concerned about protecting children and helping parents be good parents," says Clinton pollster Mark Penn...

Author: /time Magazine | Title: THE CHILDREN'S CRUSADE | 8/25/1997 | See Source »

...performer can tell you something new. But so it was with Christian Zacharias, whose performance of Beethoven's Fourth Piano Concerto highlighted an otherwise lackluster afternoon at Tanglewood Sunday. Zacharias gave such a spirited reading of the concerto's finale that the audience rose almost immediately with the last chord...

Author: By Daniel Altman, | Title: Pianist Shines in Mediocre BSO Performance | 8/1/1997 | See Source »

...home-taped messages to be delivered to your door in the hopes that you would ask him back. With his child-like voice delivering strains in a slightly whiny tenor, Darnielle strums a pulsing guitar from what sounds like a few feet from the recorder. Almost shamefully catchy simple chord progressions and reptition form the structure of the Mountain Goats' music as the textured vocals offer meat and body to the songs. Beneath their basic melodic appeal, songs carry meaning in their own wrenching emotional code, typically loaded with jarring imagery and obscure references to mythology and world travel...

Author: By Luke Z. Fenchel, | Title: Not Just Bleating: The Mountain Goats Perform at The Middle East | 7/11/1997 | See Source »

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