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Word: chording (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...tempo stood out again in the third movement as the soloists streaked to the end of the piece. Zukerman, finally able to speak fully in the broad chords of the second motif, was visibly enthusiastic. Perlman read the third movement flawlessly and contributed in volume and exuberance to the finale. Zukerman bit off a bit more than he could chew with his last low chord, but the mistake was hardly noticeable. In any case, the end was greeted by a lengthy and well-deserved standing ovation...

Author: By Daniel Altman, | Title: Perlman and Zukerman Mesmerize in the Shed | 8/20/1993 | See Source »

Marijuana strikes a chord with rockers and rappers...

Author: /time Magazine | Title: Time Magazine Contents Page | 4/19/1993 | See Source »

...Christian, on a business trip to Paris. They walked along the Seine in the shadow of Notre Dame and discussed the idea that we all carry around with us a God-shaped vacuum and try unceasingly to fill it with other things. "That notion just struck an incredibly responsive chord in me," remembers Newlin. She realized that she "had created an idol out of work, had sacrificed my time and effort to it, and it stopped working." She was baptized in January 1992 and began attending Redeemer Presbyterian Church in New York City and working in a homeless shelter. Four...

Author: /time Magazine | Title: The Church Search | 4/5/1993 | See Source »

...symphony struck such a resonant chord? The texts, which include a 15th century monastic lament, a mournful folk song about the death of a child and, most movingly, a brief prayer to the Virgin inscribed on the wall of a Gestapo prison by an 18-year-old Polish girl, evoke a sunless world of pain and suffering. The ineffable music, which unfolds seamlessly from small, minimalist melodic motifs, evolves into a soaring Brucknerian cathedral. Hardly the stuff of which gold records are made...

Author: /time Magazine | Title: Top of The Pops: A Symphony? | 3/8/1993 | See Source »

...series of 14 variations on the slow movement of Beethoven's "Appassionata" sonata, with an optional opportunity for an improvised cadenza before the final variation. The theme itself is not stated anywhere in the piece, and one catches only a few glimpses of it throughout--an occasional dominant seventh chord, or the five-note descending scale that concludes each half of the Beethoven movement. Rather than indulging in much direct quotation, Rzewski's variations preserve certain abstract qualities of the original. Beethoven's registral disjuncture, for example, is taken to extremes, and the thick, closed chords of the theme, which...

Author: By Carl J. Voss, | Title: Composer Rzewski Performs Three Personal, Searching Pieces | 2/11/1993 | See Source »

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