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Word: chording (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...musicians can also take the class: "We're trying to build an awareness of how musical elements relate to one another [but] aren't dependent on particular technical names," Goldberg says. "I had a teacher once who actually called chord names by fruit names. We had to find out how blueberries related to strawberries...

Author: NO WRITER ATTRIBUTED | Title: Charting the Course | 3/12/1998 | See Source »

Noam I. Weinstein '99 said that West's words struck a chord within...

Author: By Nanaho Sawano, CRIMSON STAFF WRITER | Title: Cornel West Opens Democracy Teach-Ins | 3/3/1998 | See Source »

...blackboard, he chalks the elements of a short story: "character, language, situation, structure, plot." He does not add "drugs, booze, angry sex, bar fighting, class resentment, familial dysfunction." The kids will learn to chord this country music on their own. Or not. Now they seem shy and tentative. The professor tries to loosen them up: "A good writer steals from other writers," he says. "Got to be willing to steal, to pillage." Got to be willing, Russell Banks might say to himself, to be merely very good in novel after novel while critics use words like talented and valuable...

Author: /time Magazine | Title: Books: Searching for a State of Grace | 3/2/1998 | See Source »

...wonderful acoustic rendition of "Tangled Up In Blue," the most well-known song from his arguably best album, 1974's Blood On The Tracks. Embellished by the mandolin-playing of Bucky Baxter (who manned the pedal steel guitar most of the night), this favorite struck a particularly responsive chord...

Author: By Abraham J. Wu, CONTRIBUTING WRITER | Title: Aging Dylan Offers Intimate, Energy-Infused Collection of Rock Classics | 12/12/1997 | See Source »

Still, the idea of whiteness studies strikes a dissonant chord with many people, in part because of their uncertainty of the field's area or scope. But Professor of Afro-American Studies Cornel West '74, a pillar of the Afro-American studies department at Harvard, told me that "like any other area, [in whiteness studies] there's some high quality and some low quality and the high quality stuff is very important because...it forces people to think not just about whiteness in the abstract, but to really wrestle with white skin privilege in America. It's part of what...

Author: By Daniel M. Suleiman, | Title: Whiteness Studies: Exploring Privilege | 12/8/1997 | See Source »

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