Word: chordingly
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...Crises, in which he tried to set the record straight about such uncomfortable topics as the Checkers speech and his role in the Alger Hiss case. "The fact that Bush is apparently structuring his memoir around a number of key decisions that he made, to me strikes a similar chord with Nixon's approach," Coffey says. "I don't imagine that Bush is pondering some kind of comeback in the political sphere, but I think he certainly wants to acquit himself of some of the interpretations that are out there about his leadership...
...darkest horse / that’s the horse I’d ride,” he sings. Would an indie pop frontman pick any other? “Dimmer” is a catchy enough piece of music, but it fails to develop after the first few chords, and repeated listens reveal no real nuance or subtlety, something that is true all-too-often of the songs on this album. Bass, electric guitar and drums are augmented elsewhere by acoustic guitar and that indie pop favorite, keyboards. Strings are largely absent as Bishop Allen choose a simpler sound that...
...show demands. Her character Peggy needs to naturally stand out in a line of chorines, “specks of dust on the stage” according to Marsh, and Krull does. Her performance as Peggy is never too naïve or calculating; she strikes just the right chord of vulnerability and wide-eyed excitement. As Roach sings the show-stopping “Lullaby of Broadway,” an ode to theater and New York City, Krull’s face becomes dreamy and adoring. Her love of performing pulses through every tap of her shoe...
...album’s first single, “People Got a Lotta Nerve,” which begins as a lively pop tune reminiscent of the cheerful, British ballads of The Smiths. The laidback guitar riff and cheery melody flow effortlessly into the bridge, where sudden chord changes, varying vocal register, and clever lyrics full of internal rhymes result in an unexpected divergence. The instrumental fade out adds an eloquent touch to the end of the song. In “This Tornado Loves You,” the raw force of Case’s melodies breaks...
...Fairytale Ending.” This aesthetic of over-the-top whimsy and childlike wonder works most successfully in the composition and arrangement of the instrumental parts. “The Law of the Playground” is catchy and exuberant throughout. With an ear for interesting chord changes that calls to mind the Fiery Furnaces, The Boy Least Likely To has mastered indie pop’s delicate blend of accessible melodies and nontraditional harmonic structure. Riffs like the fiddle and banjo unison part on “When Life Gives Me Lemons I Make Lemonade?...