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Word: chordings (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...jingles for its roadside signs. The best apple pie in the U.S. is served at the Cottage Inn in Cripple Creek, Colo. The whistles of railroad trains speeding across the American prairies are in the key of C, and are the first, third and fifth notes of a chord. These and other minutiae are among the many observations and conclusions of Mr. and Mrs. John David Gill, in the course of leisurely strolls around the U.S. and Canada. By this month the Gills, a Philadelphia couple, had been in pursuit of their favorite pastime-walking hand in hand through...

Author: /time Magazine | Title: RECREATION: On Their Merry Way | 10/31/1955 | See Source »

...when the personalities are beyond memory. One reason: musical battle lines were clearly drawn in Shaw's day. He could be simply for or against Wagner (he was for) and romantic Italian opera (against, at least until Verdi's later works); musical forms were firm, and a chord was a chord. It made things easier for him than for today's critic, who has precious little new music to discuss, less that is controversial...

Author: /time Magazine | Title: Music: The Dangerous Delinquents | 8/15/1955 | See Source »

...rest of the concert will consist of tune-ringing in which each ringer manipulates several bells to produce piano-chord effects. Any number of individuals may participate...

Author: NO WRITER ATTRIBUTED | Title: Old World Hand Bells Will Sound In Student Saturday Night Concert | 4/28/1955 | See Source »

...bent as if carrying an invisible basket of flowers. His style was mannered-in his most ardent moments he bent stiffly from the waist and closed his eyes-and he gave the impression of overseeing the music rather than participating in it. When the score called for a punchy chord, his baton descended as if through a barrel of oil, and the orchestra hesitated a full second before it sounded...

Author: /time Magazine | Title: Music: The Berliners | 3/14/1955 | See Source »

...usual in a concert of this type, since the quality depends on the performer's feeling at a given moment, there were ups and downs. Ed Conte of Adams sat in at the piano until the other two pianists arrived and did some excellent work with a "blocked chord" style. In All the Things You Are Watson on the alto and Ray Pitts on the tenor sax-the only two with much experience together-engaged in a beautifully fluid duet in the current "counterpoint" style. Lewis on the conga drum and Arnold Palmer on the regular drum outfit both achieved...

Author: By Peter G. Paiches, | Title: 'Experimental' Jazz | 3/9/1955 | See Source »

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