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Solti is an orchestral architect much in the Toscanini mold. He is not one to pause sentimentally over a favorite melody or chord. The long line is everything. Such basic tools as rhythm and dynamic shading are used to sculpt breathtaking new shapes. His phrasing is at times so tight that it often seems the music is moving more quickly than it actually is. "The things that intrigue me are how to make forms clear," he says, "how to hold a movement together, or if I am conducting opera, how to build an act or a scene." These are traits...

Author: /time Magazine | Title: Solti and Chicago: A Musical Romance | 5/7/1973 | See Source »

...music is now flowing through your mind, through your body, through your entire being," boomed Damon, a regular guest on late-night TV talk shows several years back. "When I count to four, Skip will count off the first number." One...two...three...On four, Van Winkle struck a chord on his electric organ, Teegarden spun a roll on his drums, and away they went into Dancing in the Street. Up in the engineer's booth, a spectator, Rock Guitarist Mike Bruce, fell under Damon's spell and slid off a stool to the floor. A bystander caught...

Author: /time Magazine | Title: Music: Hypnotic Rock | 12/25/1972 | See Source »

...anymore. Gimmickry abounds. Theatrics have been a part of rock every since Presley didn't show any pelvis on the Sullivan Show. But for our purposes, the final push started at Monterey, when Jimi Hendrix first burned a guitar, or with Peter Townshend's first windmill chord. The notion of theatrics has expanded to the point where the average Jethro Tull show is half music and half theater. Something seems necessary to augment the music which for a lot of reasons has stopped undergoing radical changes in directions...

Author: By Frederick Boyd, | Title: In Defense of Alice Cooper | 12/14/1972 | See Source »

...quite a feat indeed. I guess people really want to hear old Cream songs. I do too. But I've got all the records. J. Gells Band. I've said, on numerous occasions, as well as in front of people, that J. Geils is the best three chord rock 'n' roll band in the world. I'm also one of the few people who feels that Full House doesn't do them justice. They must be seen, and the best place to see them is here, because this is the band that made Boston famous. Grand Funk Railroad. What...

Author: NO WRITER ATTRIBUTED | Title: music | 12/14/1972 | See Source »

...Eric to the finest guitar players in the country, and his clean, wailing solos provide a consistent testimonial to his remarkable knowledge of music and dextrous rapport with his instrument. This talent is also reflected in his original compositions, such as "Sixty Cycles", a song whose transitions and intricate chord patterns are a tailor-made vehicle for his abilities...

Author: By Peter Southwick, | Title: 'It's Easier To Promise Than To Try' | 12/13/1972 | See Source »

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