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Creed is certainly better than just about any teen-pop act. Vocalist Scott Stapp, 28, has a vibrato like a mounted assault rifle, and guitarist Mark Tremonti, 27, who doubles as bassist on this record to replace ex-band mate Brian Marshall, bangs out tried and true arena-rock chord progressions with precision. But the canned mysticism of the lyrics almost inspires nostalgia for the professional, if dispassionate, songwriting of producer Max Martin and other behind-the-scenes teen-pop studio wizards. "Let's give love to all," Stapp intones on the final track, Lullaby. Let's give thesauri...

Author: /time Magazine | Title: Music: Rock At The Top | 12/17/2001 | See Source »

...teen-pop/rap divette makes it clear that her second album is for girls who have outgrown dancing in pajamas to Britney and matured into smoking in the eighth graders' bathroom. Pills, tattoos, and men in cars all make appearances, and so, fittingly, does rock: three-chord guitar riffs, real drums and vocals by Aerosmith's Steven Tyler. If Pink continues down this road to damnation, her bad-girl act may blossom into sass big kids enjoy. It hasn...

Author: /time Magazine | Title: Music: M!ssundaztood | 12/3/2001 | See Source »

...paid obvious homage to Miles Davis’ landmark album Sketches of Spain, and another self-composed number, “Smooth Ride,” has a lovely and palpably soothing warmth. Frankie always seemed more at home on his own compositions, extracting more complexity from their chord changes than from his various covers. Whether during forays into straight-ahead rock music or the fluid turns of Latin-infused funk, Frankie V has a clearly cultivated melodic sense, but his sidemen don’t always come along for the ride...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: V Is for Victory | 11/30/2001 | See Source »

...guitarist on this particular night, Bruce Bartlett, is a well known commodity in Boston circles. He holds court regularly at Ryles, and in doing so has been elevated to mythic musical status. Whether seamlessly integrating Frankie V’s spontaneous melodies into his own supple chord-building or cheekily paying homage to arena rock in the club’s small confines, Bartlett was the rhythm section rock on which Frankie was able to build great flights of fancy. Pianist Israel Tannenbaum played an almost ironic performance, leaping up and down the keyboard in vertical chords under the effigy...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: V Is for Victory | 11/30/2001 | See Source »

...While there were no major breakthroughs to report on the anti-terror front, the President nonetheless struck a confident chord as he sought to encourage Americans. "I am proud of Americans. Our people have responded with fierce determination." Citing this week's successful blockade of terrorists' U.S.-based funding, the President also underscored advances in homeland security and cited the government's ability to track and infiltrate terrorist cells...

Author: /time Magazine | Title: Bush: 'My Fellow Americans, Let's Roll' | 11/9/2001 | See Source »

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