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...says. And despite the play’s serious content, directing has not been entirely devoid of comedic moments.“Rehearsing the sexual moments has been really entertaining,” Dorin says. “It’s astonishing how difficult it can be to choreograph a decent kiss, especially when it seemed like the actors in question were discovering all of this stuff for the first time. So I had them start with the basics, back massages, holding hands, and such, and then something clicked. Now they’re all over each other...

Author: By Margot E. Edelman, | Title: Spotlight | 3/16/2006 | See Source »

...says. And despite the play’s serious content, directing has not been entirely devoid of comedic moments. “Rehearsing the sexual moments has been really entertaining,” Dorin says. “It’s astonishing how difficult it can be to choreograph a decent kiss, especially when it seemed like the actors in question were discovering all of this stuff for the first time. So I had them start with the basics, back massages, holding hands, and such, and then something clicked. Now they’re all over each other...

Author: By Margot E. Edelman, CONTRIBUTING WRITER | Title: Spotlight: Rowan W. Dorin '07 | 3/15/2006 | See Source »

...nickname, Flicka; points out her favorite knitting store across the street; and admits that the night before, she ran out of gas on Mulholland Drive and cried until her husband came to pick her up. I am worried she is going to try to braid my hair and choreograph a dance routine...

Author: /time Magazine | Title: Movies: A Disparate Housewife | 12/5/2005 | See Source »

...Jackson’s most recent projects has been choreographing the “Rocky Horror Show” at the Loeb Experimental Theater. She originally became interested in the show through her friend, producer John T. Drake ’06, and agreed to choreograph it because it looked “kind of easy.” She reports having a lot of fun with the “amazing production staff” as they worked on the show...

Author: By Jennifer D. Chang, CRIMSON STAFF WRITER | Title: Lauren L. Jackson '07 | 11/3/2005 | See Source »

Through her work choreographing and dancing in smaller Paris dance venues, Maxwell was eventually asked to choreograph, sing, and star in Ophelie Song, a “rock opera” based on Shakespeare’s Hamlet and told from Ophelia’s viewpoint. The production, which toured Paris’ Café de la Danse, New York’s La MaMa Experimental Theater Club, and the Edinburgh Fringe Festival, received critical attention and good reviews...

Author: By Anne E. Bensson, CRIMSON STAFF WRITER | Title: Maxwell’s Modern Dance Revolution | 6/8/2005 | See Source »

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