Word: chorus
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Dates: during 2010-2019
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Musically, the production makes occasional use of the vocal talents of Stewart N. Kramer ’12, whose powerful voice opens the show with a rousing, half-drunk chorus of “Vive la Compagnie.” He also briefly appears as a sage street performer singing for his supper. For its many scene transitions, the show too-frequently utilizes the Johnny Cash song “God’s Gonna Cut You Down,” a catchy, yet repetitive tune which rather abruptly jerks the listener out of eighteenth-century France and into...
...that is most vitally raw and dynamic about this hip-hop trio into a snappy 30-minute album that blazes by in a flash of intensity and verve. The album bristles with intriguing musical touches. Opener “Criminology 2.5,” for instance, features a chorus heralded by resounding trumpet samples, soulful female vocals and trickling piano flourishes. This track propelled further forward by a punchy yet grooved drumbeat and the consistent lyrical vigor of Meth, Ghost...
...first noticed the pervasive cultural phenomenon that is the overuse of the word “bro” at a reunion of high school friends when I entered my friend’s living room to a chorus of “‘sup bro,” “yo bro-sef,” and even a “dude bro-minator.” The culprit for this new and odd behavior becomes clearer when I explain that all of these friends recently became college students. On college campuses...
...ended with a drum solo that was a pounding frenzy of sound. Haynes finished by leaping up from the kit, as if scalded. The audience’s immediate standing ovation was augmented with an impromptu chorus of “Happy Birthday,” accompanied by the band. “Growing up I couldn’t even think I’d still be living at this age,” said Haynes, in a kind farewell; “It feels like a dream... I love...
...another of the album’s best tracks. Filled with electronic beats, claps, computerized voices—à la Kanye West sampling Daft Punk—piano, and strings layered together, the song continuously builds up a seemingly weightless sound. This is showcased as the chorus chants, “I’m back / Celebrate life,” which seems to be exactly what this song is trying...