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Word: chorus (lookup in dictionary) (lookup stats)
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Usage:

...rousing chorus responds, “Four...

Author: By Lauren A.E. Schuker, CRIMSON STAFF WRITER | Title: School’s in for Summers | 10/29/2003 | See Source »

...they retained the services of producer Gordon Raphael. While some may view Raphael's presence as a retreat to the familiar, it feels more like an assertion of identity. The Strokes look like bohemians, but they're actually formalists; their form is the three-minute, verse-chorus-verse rock song, and once again they offer up 11 of the best you will hear this year. The band toys with some clever rhythm changes and guitar effects, and the lyrics tend to be more about failed relationships than casual hook-ups, but the boys are not exactly reinventing the medium...

Author: /time Magazine | Title: Music: Different Strokes? | 10/27/2003 | See Source »

Davis was born in 1925 in Harlem, the child of a chorus girl and a hardened vaudeville hoofer; that would be Sammy Davis Sr. Sr. took Jr. along on tour, and one afternoon little Sammy wandered onstage during a gig. Disaster loomed--but the audience laughed. A star was born. Davis...

Author: /time Magazine | Title: Books: What Made Sammy Dance? | 10/20/2003 | See Source »

...they again retained the services of producer Gordon Raphael. While some may view Raphael's presence as a retreat to the familiar, it feels more like an assertion of identity. The Strokes look like bohemians, but they're actually formalists; their form is the three-minute, verse-chorus-verse rock song, and once again they offer up 11 of the best you'll hear this year. The band toys with some clever rhythm changes and guitar effects, and the lyrics tend to be more about failed relationships than casual hook-ups, but they're not exactly reinventing the medium...

Author: /time Magazine | Title: Don't Hate Them . . . | 10/19/2003 | See Source »

...though, they are bogged down with repetitive and maudlin lyrics. Mary J. Blige lends her soul credibility in “Whenever I Say Your Name” for some of the album’s brighter moments. But ultimately, the song falls flat with its swarmy, sugar-coated chorus and failed attempt at manufactured gospel. The opening track, “Inside,” prepares us for the occasional verbosity and chronic blandness that characterizes the rest of his songs and “Never Coming Home” sounds like a remix of “Desert...

Author: By Crimson Staff, | Title: New Music | 10/17/2003 | See Source »

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