Word: chorus
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...hard to understand at first, the song is actually sung from the point of view of a mother whose son has died in a way reminiscent of Wayne Cochran’s “Last Kiss.” The drums and lyrics open into a bridge and chorus that quickly introduces the listener to Glasvegas’ crushing yet hypnotic guitar riffs—like Coldplay with bloody knees. Staying true to the homage-to-music-history nature of the song, it closes with Allan wistfully reeling off “You Are My Sunshine...
...Didn’t!,” an original piano-driven song about the game. Its slightly amusing but ultimately embarrassing lyrics—like “Sucka tried to play me / But he never paid me / Never”—compound the obnoxious drinking-song chorus: “Oh no you didn’t!” “Mercenaries 2,” of course, makes no claim to be a serious and artistic venture like “Gears of War,” but this doesn’t change...
...want to thank all the numerous musical organizations and individuals that performed and comforted us with their wonderful music—the Harvard-Radcliffe Orchestra, the Mozart Society Orchestra, the Bach Society Orchestral, the Glee Club, the Krokodiloes, the Harvard-Radcliffe Chorus, David Trippett and Paula Downes, and many other talented individuals. Peter grew up loving music and thoroughly enjoyed performing with the MSO while on campus, so we thank them for the beautiful and peaceful music during the service, the Requiem, and at all occasions. We are glad that he was able to spend his remaining years here, thriving...
...more than his scripted center-stage moments as he pranced about with kicks to his head in ensemble dances and then sauntered away like a macho diva. Another standout was Sarah Marie Jenkins as the leader of Elle’s Delta Nu sorority girls, who morphed into a chorus of Greek goddesses that functioned as the voices in Elle’s head when they weren’t upholding the bonds of sisterhood with cartwheels and barely-there minis. But, other musicals—”Mamma Mia,” for example—have something...
...even the "Intermission." The set is spare and semi-abstract: a screen door, segments of wire fence, a window floating in the night sky. Secondary characters linger offstage in full view of the audience, or gather to listen at key moments, forming an accusatory Greek chorus. Video projections and ominous, movielike underscoring help solidify the enveloping tension and sense of doom...