Word: chorused
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Dates: during 1930-1939
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Although all week U. S. radio had been speaking with thunderous unanimity against Nazi pogroms, Father Coughlin made resounding reservations when he joined the chorus. Nazi persecution of Jews was bad, he said, but communist persecution of Christians was worse. Admitting that his sources were Nazi, he said that 56 out of 59 members of the Central Committee of the Communist Party in the U. S. S. R. were Jews. He also accused Kuhn, Loeb & Co. of giving financial aid to the Bolshevik Revolution, attributed that accusation to a British White Paper...
...instance Vag's reflections, stimulated somewhat by the Radcliffe girls at a joint Glee Club rehearsal, the other night proved to be more painful than pleasant. It all began when he alone held over a note two beats that was staccato for the rest of the chorus. Woody looked up; Vag joined the others in looking around and leered scornfully at the innocent man sitting next to him, then resumed singing. This time he would pay attention to the music, he thought. What was he singing for if he kept thinking about other things? After all, the "Missa Solemnis...
Everybody knows that Washington Street is Broadway's guinea pig, thus it is superfluous to say that Dwight Wiman's "Great Lady" ran twenty-seven minutes overtime last night, that the first two numbers get the show off to a very slow start, that in several of the chorus numbers the singing is off cue and inaudible, or, that the show "has the makings of" this or that...
...live the World Revolution! Long live the Leader [Stalin] of the International Working Class! Long live the Proletarian Revolution!" The vast and disciplined mob, moving across the Red Square wave on wave, took up each slogan as it was rolled out by the loudspeaker and enthusiastically shouted it in chorus...
...program reached its climax with full orchestra and chorus producing Hindemith's Martinslied which is all about a barnyard and the animals in it. Woody brought out its harshness with strength and vigor, but the powerful effect was gained mainly by the rhythm. The noise was marvelous. Following and in contrast to Hindemith was the chorus from A Midsummer Night's Dream by Mendelssohn which was conducted by Malcolm Holmes. Elinor Baker, one of the soloists, was the high point in this piece and she sang very well also. Two choruses from secular cantatas by Bach brought the evening...