Word: chorused
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Dates: during 1930-1939
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Irritated but by no means flustered by these tactics, the President asked Directors Morgan and Lilienthal about the charges, found them eager to deny them, occasionally in chorus. As to "boyish open candor" being a "mask for hard-boiled selfish integrity," as the chairman maintained, Director Lilienthal retorted: "I certainly wouldn't argue whether I have a pleasant personality...
...British journalist is pro-Nazi and works for Lord Rothermere who is always received by Hitler when in Berlin. A schoolmaster of Hitler's boyhood, now nearly 80, had come tottering to see his pupil, the Führer, enter Linz, and a rollicking song rose with the chorus: "Today Germany is ours! Tomorrow the whole World...
...been made to realize that such impulses lead, via the secret police, into the court cheering section for Stalin, thence down into the cork-lined cellars where this week the 18 were due to be noiselessly executed. Rozengolts' protestation that his children are loud in the Stalin chorus may save them, but the piece of consecrated bread may well mean death for his wife. Nothing was known last week, nothing is ever published, about the fate of members of the families of men shot after the trials in Moscow. In the Soviet Union they are subject to confiscations...
...Columbian Exposition. Opponents wanted to replace her with John Greenleaf Whittier, then 85. Despite illness, an operation, a nervous attack, Harriet Monroe finished her ode in time, demanded and received $1,000 for it, had the satisfaction of hearing it read before an audience of 120,000, its chorus sung by 5,000 voices. Because the New York World published it without permission before the reading, she sued the paper, won $5,000 more. But her verse plays were unsuccessful, her travels-to Arizona, London, around the world-gave her interests but not inspiration. She did not find that until...
...blazing religious exaltation, its lack of psychological drama. The great heroes of tragedy are inwardly lacerated; Becket is not. Hence the first half of the play is mainly declamatory. But in the second half Poet Eliot's richly cumulative rhetoric takes fire, makes antiphonal voices of his despairing chorus of women, his truculent band of murderers, his central, uplifted archbishop...