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Word: chorused (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

Lieut. Sweeney, a stickler for good order and discipline, demanded a crisp salute from enlisted men. Whenever he approached a group of us, we would assign one person in the group to salute lefthanded. A thicket of arms would snap up in the regulation manner, accompanied by an enthusiastic chorus of "Good morning, SIR!" Sometimes, Lieut. Sweeney would pause after he passed us, look puzzled for a moment and then shake his head and move on. But the notion that we could have an impact on his mental health was wishful thinking...

Author: /time Magazine | Title: MILITARY ARDOR | 6/16/1997 | See Source »

There are some sexist, NC-17 lyrics here, and like many double CDs, there's a good deal of filler. But the scolding, inspiring chorus of A Better Tomorrow--"You can't party your life away...'cause your seeds grow up the same way"--indicates that Wu-Tang is at least headed in the right direction...

Author: /time Magazine | Title: MUSIC: ANOTHER WU | 6/16/1997 | See Source »

...handle on why I was so angry." He didn't record again for almost 10 years, and when he did, on 1985's smashing Centerfield (Warner Bros.), he got in some licks at his adversary in a hard-driving tune called Zanz Kan't Danz, with a chorus that warned: "Zanz can't dance/ But he'll steal your money/ Watch him or he'll rob you blind...

Author: /time Magazine | Title: MUSIC: SONGS OF SURVIVAL | 6/2/1997 | See Source »

...McNeely's performance was also chilling enough to make the audience feel guilty for sympathizing with an assassin. Juliene James '00 appears onstage with him as The Balladeer, a narrator of sorts who comments on and interacts with the characters, falling somewhere in between Jiminy Cricket and a Greek chorus. She cuts into Booth's sad, drunken ramblings both to point out Booth's ultimate place in the history of assassins and to chastise him for it. "Johnny," as she calls him, paved the way for all future assassins, but, as she adds, "angry men don't write the rules...

Author: By Jamie L. Jones, | Title: Perfectly Killing 'Assassins' | 5/16/1997 | See Source »

...itself. Lillias White, as an over-the-hill hooker, brings vivacity and soul to Gasman's clever lyrics ("I'm getting too old/ For the oldest profession"), and the driving, up-tempo number Why Don't They Leave Us Alone turns the hookers and pimps into the most inspired chorus line in town. The Life may, in truth, be just another kind of Broadway hustle, but when the con men are as slick as these, you drop your money with a smile...

Author: /time Magazine | Title: BRING IN 'DA TUNESMITHS | 5/5/1997 | See Source »

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