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Word: chorused (lookup in dictionary) (lookup stats)
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...opens the album with the familiar boiling and grinding of a band reeling back to strike. The surprise comes at the moment of explosion when the song suddenly drops into a swishy jazz hum while Grohl croons what sound like sweet nothings--but filled with spite and malice. The chorus smashes back in with reckless abandon and closes in a pile up of distortion and sludge but under it all there are new subtle touches. In "Aurora," what could have degenerated into forgettable mid-tempo filler is saved by spirals of guitar work that slip away as a single chiming...

Author: By R. ADAM Lauridsen, CONTRIBUTING WRITER | Title: Album Review: Everybody Was Foo Fighting : Nothing Matters | 11/5/1999 | See Source »

...large sold-out Orpheum, Miller and Adam Gardner sang softly, almost imperceptible to the ear from our seats in the back right. Yet, when previously balloons were loudly struck and yells exchanged, the hall turned to silence, pure silence. When recognition dawned on the song, a background chorus more perfect than even some professional backup vocals rose from the crowd in harmony to the band. For that stark moment, I wished that I had broken into this cult, and sang along for one clear voice along with everyone else and to a band that produced a unique, but unanticipated special...

Author: By Seth H. Perlman and Jimmy Zha, SPECIAL TO THE CRIMSONS | Title: Don't Fear the Future: Guster in Concert | 11/5/1999 | See Source »

...songs--well, they are indescribably bizarre. "They Threw Me Out of Church," "Birdman Kicked My Ass" and "Suck a Caribou's Ass" are highlights of Wesley Willis Greatest Hits Vol. 2, for example. The lyrics are just as tasteful. In each number, the chorus is a chanted repetition of the song's title, and the verses are a Willis story, often punctuated by someone getting stabbed in the ass or, in other instances, fellating a large mammal. His more tender tunes often declare that he loves a friend like "a milkshake" or "Post Raisin Bran...

Author: By Benjamin D. Mathis-lilley, | Title: Fifteen Minutes: Sucking a Caribou's Ass?: An Evening With the World's Weirdest Rock Star | 11/4/1999 | See Source »

...Eddie Carbone (baritone Kim Josephson), a middle-aged longshoreman who lusts after his young niece Catherine (soprano Juliana Rambaldi), has verismo stamped all over it, right down to the climactic knife fight. In this new version, adapted by Miller and co-librettist Arnold Weinstein, View has acquired a Greek chorus that comments on the unfolding disaster, though the overall effect remains faithful to the original play. Think of West Side Story, only with the kids grown up--and angrier...

Author: /time Magazine | Title: Doo-Wop And Knife Fights | 10/25/1999 | See Source »

...band of small-minded English villagers who demand his conformity or his life. Incapable of sleeping with his wife Beatrice (soprano Catherine Malfitano) and tortured by his dark longing for his niece, Eddie finds himself similarly ostracized by his fellow immigrants--a situation that allows Bolcom to deploy his chorus to galvanizing effect. View is among the first American operas to take as a theme the immigrant experience, and Bolcom, 61, is just the man to forge a musical language appropriate to the task. A prime mover in the ragtime revival of the 1960s, he has long been...

Author: /time Magazine | Title: Doo-Wop And Knife Fights | 10/25/1999 | See Source »

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