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Word: choruses (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...wind instruments and percussion only, omitting the strings. Strongly rhythmic, shot through with jazz influences, it occasionally offered a wry commentary on the action, provided at least two moments of moving lyricism: Schweik's apostrophe on war ("Who will go to the war when it comes?") and the Chorus of Wounded Soldiers ("Wait for the ragged soldiers") in the final scene. But overall, the music was too fragmented to be effective, or to redeem the curiously Panglossed-over view that marred the libretto : the apparent belief that Schweik's numskullery is a kind of nobility, and his doglike...

Author: /time Magazine | Title: Music: Opera by Americans | 5/5/1958 | See Source »

...wife.'' For their first professional appearance together, Lennie and his wife Felicia were rehearsing Swiss Composer Arthur Honegger's sprawling dramatic oratorio, Joan of Arc at the Stake. Last week, with the full orchestra buttressed by assorted soloists, a boys' choir and a mixed chorus of 150 voices, the Bernsteins wound up the New York Philharmonic's season with a family triumph...

Author: /time Magazine | Title: Music: In the Family | 5/5/1958 | See Source »

...Paul Claudel: its tendency to reduce a profound, many-faceted conflict to charcoal black and Rinso white. But Bernstein gave the music the surging, evocative reading that its subject demands, kept a near-perfect balance be tween orchestra, soloists and his acres of chorus. Actress Montealegre gave her reading with luminous conviction and a fine sense of tandem with the score. Both got an ovation before they hustled off to a party to celebrate the Philharmonic's departure on a seven-week Latin American tour. For Felicia Montealegre, wearing a cape and Gothic-style gown by Valentina, the most...

Author: /time Magazine | Title: Music: In the Family | 5/5/1958 | See Source »

...prophetically rhetorical question: "Wouldn't it be funny if my next show was lousy?" Shower succeeded in reducing its stars (Janis Paige, John Raitt, Betty Grable) to micrometeor magnitude, often seemed an accidental parody of an early '30s movie musical, lacking only the traditional aerial views of chorus girls sprawling in living floral patterns. Jokes and Chrysler commercials sometimes had interchangeable parts. Cooed Barbara Nichols, playing a scrub girl in a carwash emporium: "Gee, isn't he [Raitt] cute! He can put his Imperial on my wash rack any time!" Jack Benny had the embarrassed...

Author: /time Magazine | Title: Television: Review | 4/28/1958 | See Source »

...mounting chorus of complaints about U.S. cars were added the voices last week of Harvard University's Economist Sumner Slichter and Labor Leader Walter Reuther. Slichter (who drives a 1951 Ford) expressed hope that automakers, burned by "the unattractiveness of the 1958 cars," now will "come forward with models that meet the people's fancy and small, economical cars that may become the rage." One trouble with the auto industry, Slichter advised the Senate Finance Committee, is "the weird collection of headlights, fins, tails, wings, etc., that is called an automobile in 1958." Reuther agreed with a Dutch...

Author: /time Magazine | Title: AUTOS: Weird Collection | 4/28/1958 | See Source »

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