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...very early-period Elvis Presley, and that's exactly how she was captioned. Being on "Survivor" would be a career-topper for her, as well as a crack at that cool million. She took me through some of her life from the cotton fields of Alabama to her first chorus role on Broadway - age 17 - alongside Bert Lahr. I heard something about her performing a trick in which she could drive a golf ball 250 yards using my face as a tee before I made my excuses and deserted her for Kristin, who was in full safari garb, complete with...

Author: /time Magazine | Title: 'Survivor 3': The Hollywood Audition | 4/2/2001 | See Source »

...from top to bottom with gibberish: TO KNOW TO KNOW TO LOVE HER SO. FOUR SAINTS PREPARE FOR SAINTS. A drummer fires off a stand-up-and-salute roll. Then the orchestra lurches into an off-center waltz (complete with a wheezing accordion on the oom-pahs), and a chorus starts to sing the words painted on the curtain, which flies open to reveal a dozen dancers in Spanish costumes prancing merrily in front of a backdrop that is an explosion of magenta and yellow. Hold on to your ticket stub: Mark Morris' joyous dance version of Four Saints...

Author: /time Magazine | Title: Dance: A Bad Boy Comes of Age | 4/2/2001 | See Source »

...first seen in London and Berkeley, Calif., last year), was the exuberant centerpiece of the Mark Morris Dance Group's 20th-anniversary season. Sixteen of the choreographer's 100-odd dances--from L'Allegro, il Penseroso ed il Moderato, a full-evening extravaganza for 24 dancers, four singers, chorus and orchestra, to Peccadillos, a duet for Morris and a toy piano--were presented at the Brooklyn Academy of Music. Meanwhile, across the street, the company is moving into the brand-new Mark Morris Dance Center, its first permanent home in the dance capital of the world. The $6 million building...

Author: /time Magazine | Title: Dance: A Bad Boy Comes of Age | 4/2/2001 | See Source »

This Broadway tribute to the lyricist of A Chorus Line, who never had another hit and died of cancer in 1988, might seem a precious bit of Broadway navel gazing. Yet it is surprisingly fresh and engaging. Kleban's little-heard songs are witty and original--Sondheim without the thesaurus. And the creators (chiefly director and star Lonny Price) temper their affection with candor and insight into an artist more familiar with frustration than fame...

Author: /time Magazine | Title: Theater: A Class Act | 4/2/2001 | See Source »

...faceless chorus. Even exceptions like the comparatively rocking "Freefall...

Author: NO WRITER ATTRIBUTED | Title: New Albums | 3/16/2001 | See Source »

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