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...play details the characters' struggle with this concept of roleplaying and asks whether they have any freedom given the certainty of their fates. Antigone is therefore a largely verbal affair, but the first few scenes establish a questionable tone. Mike Weidman '02, who plays the Chorus, is loud, clear and expressive, but so smarmy as he introduces the play that one would expect him to be quite knowingly introducing a bad Saturday Night Live sketch rather than Anouilh's searching parable. Beatrice Kitzinger '03, Caitlin Harrington '03 and Liz Clinkenbeard '01, as Antigone, her sister Ismene, and her nurse, respectively...

Author: By Joseph Hearn, CONTRIBUTING WRITER | Title: A GRAVE SITUATION | 10/27/2000 | See Source »

...object to "I can improvise all day, and do that Phish thing and we'll all just play together and it will be cool." When someone has an idea, and some guitar riffs, they'll come in and throw them out, usually with a couple of verses and a chorus, or some sort of progression. From there the group will decide if it's cool, or if it needs some work. I would call it a collaborative process; the arrangement of a song is usually hashed out by consensus...

Author: By Rebecca Cantu, CONTRIBUTING WRITER | Title: Going On Seventeen: Life in a Band | 10/27/2000 | See Source »

Williams seems to have found a very productive method for assembling the basic rock song. He has the catchy chorus thing down pat while his verses, whilst not that interesting harmonically, are so full of attitude it forces you to listen. The opening track, "Let Love Be Your Energy," is a great example of this aspect of Williams' songwriting. But more impressive than the writing is Williams' diversity. "Supreme," loosely based on Gloria Gaynor's classic "I Will Survive," is a short diversion into a mainstream pop sound. The ballads "Better Man" and "If It's Hurting You" demonstrate...

Author: By Arts Staff, CRIMSON STAFF WRITER | Title: New Albums | 10/20/2000 | See Source »

...Their unavoidable hit is a mix of calypso-inflected insults ("Get back, you flea-infested mongrel!") to a hip-hop-cum-pop beat. But it's the hook that has become an ironic anthem. The singer shouts, "Who let the dogs out?" The reply is a male chorus of "Woof! Woof! Woof! Woof! Woof...

Author: /time Magazine | Title: Northern Exposure | 10/19/2000 | See Source »

...retain his aura of legitimacy might force the President to give up if the legal bodies ruled the "official" vote count a fraud. So he refused to participate in the Milosevic-ordained runoff. Kostunica resolutely insisted he was already President-elect, and he was backed up by an international chorus of support, save only from Moscow. He risked losing again if the runoff took place without him on Oct. 8, leaving Milosevic to claim a technical victory. But Kostunica grew visibly in stature as he stuck to his sense of peaceful mission. We can have, he said, "a nonviolent, wise...

Author: /time Magazine | Title: The End Of Milosevic | 10/16/2000 | See Source »

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