Word: choruses
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...First.” As Alison sings, “Danger, heartache, something has died,” the musical accompaniment is awkwardly lighthearted. The track is instantly likeable, however, having just the right amount of superficiality to be perfect for dancing and a simple, cheesy, and delightfully repetitive chorus...
...song’s efforts. “Hunt” also falls just short. The ethereal synths over which Alison’s consistently strong vocals seem to float would be absolutely mind-blowing if paired with more creative lyrics, but instead, the dull and irritatingly repetitive chorus drags the song down...
...sections. For instance, about half-way through the song, Puciato begins to scream atop an angular guitar riff and steady drumbeat. Then, as Puciato’s screams grow more desperate, the drums charge into double-time. Catharsis comes as the band transitions into a steadier and more ethereal chorus...
...tracks, Ludacris’s tongue skips over witty lyrics so quickly and skillfully that his self-congratulatory laughs and hoots seem well-deserved. The already-popular “How Low” is the standout party song on the album, its driving beats, thumping bass, and catchy chorus recreating the successful formula of his previous singles like “Get Back” and “Rollout...
...Sexy” are the two most awkward songs in that respect. “Sex Room,” a collaboration between Ludacris and Trey Songz, would be better if it was just by Songz. The sinuous melodies and the soulful, moaning lyrics of Songz’s chorus and verse make the song as sexy as it aspires to be, while Ludacris’s forcefully rapped verses stick out like a sore thumb. The most jarring line in the song—“Nipples hard as rocks / Lips as soft as cotton?...