Word: choruses
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...What's open to debate is whether all this amounts to a crisis. But instead of measured debate, what people are hearing is a chorus of obesity alarmism. There's another side to the obesity story. Argued with varying degrees of fervor by epidemiologists, skeptics and sundry others, it points out the arbitrary nature of the BMI classifications, throws doubt on attempts to link high BMI and premature death, asks who stands to gain from the fanning of obesity fears, and questions the value of hounding populations to lose weight. "In general, we just don't know what the long...
...keep its majority intact during parliamentary votes in July over whether to reaffirm its existing troop commitments to Afghanistan, but that pledge appears unshaken by Rome's subsequent decision to send a sizable force to Lebanon. Birgit Homburger, deputy head of Germany's Free Democratic Party, joins the European chorus that ISAF's mandate "must be extended. We cannot simply stop halfway through." Nevertheless, a recent poll showed that 56% of Germans want to "withdraw as quickly as possible from the country," with 38% disagreeing. The German parliament is due to vote in September. Can the accumulation of worrying signs...
...song like a five-alarm blaze. She absolutely devours Makes Me Wanna Pray and Ain't No Other Man, a great big goofy love song that moves with such pace and brass that you can imagine taking two quick steps, thrusting out your chin and taking flight over its chorus...
...song from her upcoming motion picture Dreamgirls (Don't ya just love cross-promotion?)--B'day holds up because the bulk of the songs aren't about her or you or anything at all. Get Me Bodied has no hummable melody, a title I don't understand and a chorus that repeats "Can you get me bodied/ I wanna be myself tonight." But set to a double-Dutch rhythm by producer Swizz Beatz, with lots of hand claps and whistles and maybe a passing marching band, it's impossible not to sway from side to side, and Beyoncé, whose voice...
...satirical sketch shows of the '70s and early '80s, SCTV and Saturday Night Live,, and he made the usual transition to less-inspired film roles. But it wasn't until he starred on Broadway in 1993's The Goodbye Girl, an underrated musical with Marvin Hamlisch's best post-Chorus Line score, that he showed how effortlessly his lithe, smallish body could take over a Broadway stage. There hasn't been much for him to do on Broadway since then - although he did cop a Tony for his tour-de-force performance in a revival of Little...