Word: chosen
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Dates: during 1990-1999
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...twenty-one stories featured in the collection were chosen and edited by Pulitzer prizing winning author E. Annie Proulx (The Shipping News, Accordion Crimes). Proulx offers a good variety of style and content--everything from T. Coraghessan Boyle's strikingly titled exploration of the abortion rights conflict "Killing Babies" to Robert Stone's "Under the Pintons" a Hemingway-esque man-and-the-elements tale. Proulx has selected precisely crafted works that stand on their own--making her surprising attempt to unify them in four "chapter" titles ("Manners and Right Behavior," "Identifying the Stranger," "Perceived Social Values," and "Rites of Passage...
...change, the photographically realistic A Cotton Office in New Orleans and the much blurrier, Impressionistic Cotton Merchants in New Orleans. Office, as the frontispiece, is the only painting in the book to be reproduced in color. Merchants (visible in full color at the Fogg), like the other well-chosen and well-placed illustrations, is only a small black-and-white reproduction. The loss of color is lamentable--Dancers, Pink and Green loses its panache in gray--but the lack of clarity in the reproductions is more worrisome. Benfey often refers to minute details, such as an arm painted over...
...aristocratic Creole New Orleans three or even two degrees of separation applied. Benfey delves into this byzantine web of relationships with zest, retrieving kernels of enthralling although often irrelevant fact. In his introduction, he mentions that as he wrote the book he had to force characters he "had once chosen for starring roles" to recede from the forefront of his tale, but these characters remain burgeoning starlets...
...McKellan, who originated the role of Max 20 years ago in the stage premier of Bent that won him an Olivier, is luminous in a later cameo as Max's Uncle Freddie. Freddie is a "fluff" like Max, but he's one who has chosen to play it safe by repressing his desires. And, fortunately, several of the play's most powerfully written moments have translated well to film. Especially remarkable is a pivotal scene in Dachau in which Max and Horst, forbidden to touch and kept under the ever-vigilant eye of their guard, make love to each other...
...political slogans does not constitute opera." Other potentially humorous moments in the text also ring with underscored conservative sentiments. Newt Gingrich is described as a "battling visionary" comparable to Susan B. Anthony and Martin Luther King. Also, when pondering his Norwegian heritage, John thinks, "If we aren't the chosen people, then why did God make us so close to the standard...