Word: choses
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Dates: during 1960-1969
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PROTESTANT AND ORTHODOX CENTER. For a wordless but eloquent little film called Parable, Writer-Director Rolf Forsberg chose a setting much like the fair itself. A sad-eyed clown in whiteface trails behind a circus troupe, collects a host of friends and a slew of enemies. Finally, when he frees some human puppets from their cruel manipulator and takes their place, he is slain. Forsberg's film is thoughtful and beautifully handled...
...four victories were shared by one man-New York's Democratic Mayor Robert Wagner. Wagner came out publicly for Farbstein, the only Tammany type the mayor chose to support. The mayor endorsed both Bingham and Scheuer, has long fought to keep Tammany Tiger De Sapio from power. His decision to back Bingham despite the Administration's endorsement of Buckley probably won Wagner no presidential good will. But the outcome certainly increased his stature in and influence over the New York Democratic Party...
...Eden is the new John F. Kennedy Playground, which opened in Washington last week. The idea came from Attorney General Robert Kennedy after a drive through one of the city's most depressed areas, which had almost no recreational facilities. He studied the problem, developed plans, and chose O. Roy Chalk, the energetic president of the D.C. Transit System, to raise the $200,000 needed for construction. But the most inspired idea cost nothing: to ask the armed forces to donate some obsolete tanks, planes, and ships. They happily complied. Chalk has now set up the National Committee...
...intensity of feeling that Gilroy achieves in Roses is sometimes choked off by the drab, laconic, colloquial dialogue his characters use, and a few bursts of eloquence might have been risked to vary the tempo of speech. Whoever chose Sheen, Dailey and Albertson for their roles must have been working under a sign of the zodiac favorable to perfect casting, and Ulu Grosbard's direction belongs in the category of craft that conceals craft. In The Subject Was Roses, Broadway has that rarest of dramas, a play that dares to show its face, and not its heels, to reality...
Cold War Frontier. The main carryover from the earlier stories that Cornwell built up in Spy is not a character but an atmosphere: grubby realism and moral squalor, the frazzled, fatigued sensitivity of decent men obliged to betray or kill others no worse than themselves. Cornwell said recently: "I chose spying as a subject for reasons of polemic. Western democracy seems to have one unifying force: the idea that individuals are more valuable than philosophies. My intention was to write about a group of people who consciously abandon the Western principle in order to defend...