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Word: chosing (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Behind the Light. On Oct. 30, 1944, there was a selection of the youngest and strongest to be sent to the concentration camp at Belsen. Single file, the undressed women were ordered into a hall where, seated behind the glare of a searchlight, a doctor chose this one for Belsen, that one for the gas chamber. "Anne's face remained unchanged, even in the cruel light of the projector. She took Margot's arm and they came forward. I can see them now, stripped naked. Anne turned her serene face toward us; then they were led away...

Author: /time Magazine | Title: HISTORICAL NOTES: Diary of Anne Frank: The End | 2/17/1958 | See Source »

Dancing Dervishes. Just when the mob seemed ready to disperse, a British officer chose to order a soldier-driver to move his Land Rover out of the jammed street. The soldier stepped on the foot throttle, knocking people down right and left, and bouncing his heavy vehicle over the bodies of an old man and woman. Howling with rage, the crowd broke through the police lines and overturned Land Rovers and trucks. At a Ford agency garage near the Mosque of the Dancing Dervishes, flaming gasoline-soaked rags were flung among the brand-new cars, and soon the building rocked...

Author: /time Magazine | Title: CYPRUS: Worst Yet | 2/10/1958 | See Source »

Saxophonist Mule chose for his debut program the works of two contemporary French composers-Jacques Ibert's Concertino da Camera and Henri Tomasi's Ballade. What the audience heard was an open, evenly controlled sound that could sing with a clean vibrato or a finely trimmed staccato, swell robustly and solidly with no trace of the breathy "air sound." Under Mule's scurrying fingers, the saxophone sometimes took on the quick sheen of strings, or the water-clear inflections of the flute, or the warm quality of the bassoon. Gone were the wah-wahs and wobbles...

Author: /time Magazine | Title: Music: Serious Sax | 2/10/1958 | See Source »

Faced with a range of choices from Vienna's Kunsthistorisches Museum, which shifts its Bruegels around on easels to catch the changing light, to Manhattan's glass-walled Museum of Modern Art, which shuts out all direct sunlight, Capodimonte Director Molajoli chose an elaborate mixture of the best of all systems, combined natural with both filament and fluorescent light, automatically mixed to maintain level, shadowless lighting...

Author: /time Magazine | Title: Art: MUSEUM FOR SEEING | 2/3/1958 | See Source »

...Baton Rouge High School team, Pettit was so awkward he was cut from the squad. Then he began to grow, by his senior year was 6 ft. 7 in., and, although he moved like an unhinged giraffe, scored enough to get scholarship bids from some two dozen colleges. Pettit chose Louisiana State University, was an All-American for two years in a row, and in 1954 was the first-draft choice of the St. Louis Hawks. A handsome, lithe giant, Bob Pettit soon found that the pros play their own rugged brand of ball, but he survived the rattling rites...

Author: /time Magazine | Title: Sport: The Golden Hawk | 2/3/1958 | See Source »

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