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Technically, the film is respectable. The street and harbor scenes in the crown colony bustle with color, the interiors are ingratiatingly ratty. Literarily, the picture is a mad chow mein of Chinese-laundry English, doused with a sickly marmalade of sentiment and soy-sauced now and then by a daffy line (prostitute announcing her baby's name: "Weenston. Hees fader velly importan' man"). Dramatically, it is just one long touristic stagger through the better bars and restaurants of Hong Kong...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 28, 1960 | 11/28/1960 | See Source »

Last week Ike left his chair and charged into his first week of active politicking with the gusto of a veteran G.I. answering chow call. The week's high point came as a drumroll of applause beat up to the speaker's dais in Chicago's Conrad Hilton Hotel. Ike flashed a Nixon-Lodge badge as big as a butter plate, grinned mightily, pumped his arms skyward in the familiar big V for the benefit of 40,000 Republicans, linked at fund-raising dinners in 36 cities by closed circuit TV. Then well aware that Republicans were...

Author: /time Magazine | Title: THE CAMPAIGN: Biggest Gun | 10/10/1960 | See Source »

...Yorkers. No one needed to be caught alive or dead in olive drab; the uniform was a brilliant cerulean blue with a flashy stripe down the trouser leg. The training grounds were the fields of Hempstead, Long Island. The close-order drill came from Gettysburg and Waterloo, and the chow seemed almost as old. Writes Post...

Author: /time Magazine | Title: Books: Quaint Little Hell | 3/7/1960 | See Source »

...interested in your piece on the latest violation to the martini (Oct. 19). In college (sophomore year) we added snow peas in direct ratio to the proportion of vermouth to gin. This fad died out and we had to use up the supply of snow peas in chow mein. ANDERSON KELLEY Philadelphia...

Author: /time Magazine | Title: Letters, Nov. 9, 1959 | 11/9/1959 | See Source »

...1920s with child labor, notably her little daughters June (Actress June Havoc in later life) and Louise (Gypsy). What follows is a kind of Dante's tour of the tank-town circuit, in which Mama Rose's aging small-fry troupe beds down in fleabag hotels, gobbles chow mein breakfasts, and endlessly reprises corny routines and lyrics straight from Mama's potboiling hand. Ordeal by stage mother drives gentle would-be husband No. 4 (Jack Klugman) to the suitcase-packing point of no return, and June elopes with a chorus boy. And just when Mama Rose...

Author: /time Magazine | Title: The Theater: New Musical on Broadway, Jun. 1, 1959 | 6/1/1959 | See Source »

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