Search Details

Word: chris (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

OLYMPIC PREVIEW SPECIAL (ABC, 4-5 p.m.). Sports Commentators Chris Schenkel, Jim McKay and Bill Flemming pick U.S. and international Olympic favorites. Also films of past Olympic games...

Author: /time Magazine | Title: Television: Oct. 4, 1968 | 10/4/1968 | See Source »

...defensive five is still in a formative period. Chris Wilmot of England and Chris Fermer of Norway ought to be working somewhere in the backfield. At fullback, Getch is already working around one injury to Phil Axten; and will be playing several men in there to find a good...

Author: By Scott W. Jacobs, | Title: Freshmen Booters Open Against Tufts; Balance and Depth Are Key to Season | 10/3/1968 | See Source »

...offense, however, bubbles with strong shooters and quick wings. Charlie Thomas, a center forward from Gambia who scored 27 goals in prep school last year and logged 20 assists, will lead the Crimson attack. At inside he can expect more than adequate support in Phil Kydes, Chris Alexoupolis, Skip Marotta, or maybe Bill Bennett...

Author: By Scott W. Jacobs, | Title: Freshmen Booters Open Against Tufts; Balance and Depth Are Key to Season | 10/3/1968 | See Source »

...course. Brunswick and AMF, for example, profited from the bowling boom in the '50s only to suffer later from competition from other pastimes. Still, dividends from the fun-and-games business do not always come in cash. "This is toy time," says Herbert J. Siegel, president of Chris-Craft. "If a guy can justify an acquisition by getting into the 'leisure time' market, he can have a good time." As Siegel himself undoubtedly does. He was chairman of Baldwin-Montrose Chemical Co. until last January, when, in a prelude to a merger with the big boatbuilding firm...

Author: /time Magazine | Title: Leisure: There Is Nothing Like a Game | 9/6/1968 | See Source »

Finally, a camera style of slow and balanced moving shots is, successfully executed, one of the great joys of narrative film. When Chris goes to Paul to reassure him in a scene discussed earlier, Chabrol cuts together shots already in motion, joining a shot moving left in a circular are, a crane down from high angle, a forward track moving left, one moving right, and a pull back to wide-angle. The effect is again one of montage--the creation of masterful rhythm from smaller individual rhythms -- and again the illusion gives way to the truth of the image...

Author: By Tim Hunter, | Title: Claude Chabrol's The Champagne Murders | 8/2/1968 | See Source »

Previous | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | Next