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Word: chris (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

CHICAGO: Let's not take the easy way, which is this: Chris Farley wanted to be John Belushi, and that's why he's dead. Let's say instead that Chris Farley, the funniest fat guy ever to cross a stage or a movie set in a long, long time, is dead of a heart attack at 33 because he was troubled. Manic. Still the fat little kid that no girl would look at, even once he was rich, famous and still on the rise with a $6 million price tag. Or, Chris Farley is dead at 33 probably because...

Author: /time Magazine | Title: Chris Farley: Too Much of Everything | 12/18/1997 | See Source »

...Chris Farley, Dead At 33 Former SNL and movie comedian Chris Farley has died in Chicago...

Author: /time Magazine | Title: The Front Page | 12/17/1997 | See Source »

Other sprinters placing in the meet include, freshman Chris Evans taking fourth in the 55 meter hurdles and Shamasdin placing fifth in the 400 meters...

Author: By Tara Keck, CONTRIBUTING WRITER | Title: Track Teams Dominate Invite | 12/15/1997 | See Source »

...work's newfound confidence and sophistication probably owes most to the department's shift away from architecture and design towards a stronger studio program. Although I would hesitate to endorse the elimination of design, the redirection of energies has clearly benefited the other studio arts. In addition, VES Chair Chris Killip and Director of the Carpenter Center Ellen Phelan have cultivated an impressive roster of contemporary artists to serve as visiting professors and lecturers. Although these mostly New York imports have been a boon to students and enthusiasts of contemporary art, I had perhaps impatiently questioned whether their presence...

Author: By Scott Rothkopf, CRIMSON STAFF WRITER | Title: Breaking the Mold | 12/12/1997 | See Source »

Mergel's and Williams' sculptures along with silly-putty blobs (caught moving in hasty Polaroids) by Nick C. Malis '99, a tortuous Frankenstein prosthetic (Brendan K. Greaves '00) and Chris Cooper's redolent beeswax objects all demand anthropomorphic descriptions and at the same time frustrate our search for easy bodily correspondences. While these works may benefit from the exhibition's exclusion of more polished paintings on canvas, they characterize the most intelligent and competent group of student sculpture recently shown in the Carpenter Center...

Author: By Scott Rothkopf, CRIMSON STAFF WRITER | Title: Breaking the Mold | 12/12/1997 | See Source »

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