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...crucifixion site, underpinning the magnitude of the event by exhibiting the individuals’ relative irrelevance. Furthermore, every aspect of the persecution becomes a multi-sensory experience, as each lashing is accompanied by a vivid shower of crimson and unnerving sound effects. At one point, a Roman soldier flagellates Christ with a whip of broken metal tips, the shards embedded and then ripped from his torso. As this is done, numerous close-ups of the resulting cuts are accompanied with the squelch of tearing skin, amplified to a horrendous volume...

Author: NO WRITER ATTRIBUTED | Title: FILM REVIEW | 3/5/2004 | See Source »

...performance by Jarreth Merz, who initially helps carry the cross with great reluctance, but by journey’s end is risking his own life in Christ’s defense. Perhaps the film’s most moving sequence is provided by an anonymous woman who gracefully offers Christ a bowl of water...

Author: NO WRITER ATTRIBUTED | Title: FILM REVIEW | 3/5/2004 | See Source »

...these deviances belong to the world of historical debate, and are only minor distractions from an otherwise important artistic work. Though violence is the film’s major theme, what resonates from The Passion of the Christ is not necessarily its brutality, but rather the significance of his sacrifice. There are only glimpses of Christ’s words in the movie, and his resurrection is given minimal screen time, but these are provided in such well-timed respites that their resounding impact is ultimately The Passion’s greatest, most awe-inspiring achievement...

Author: NO WRITER ATTRIBUTED | Title: FILM REVIEW | 3/5/2004 | See Source »

...surprised me how little I cared about this character’s life. I am not being callous, but there are three fatal flaws that damage the film for nonbelievers: almost no characterization or narrative, a spectacularly large amount of violence and almost all of the Jews are evil Christ-killers...

Author: NO WRITER ATTRIBUTED | Title: FILM REVIEW | 3/5/2004 | See Source »

...floods the screen with the prophet’s unassuming, uni-browed visage, his immobile facial features accentuating the authority of his compassionate words. His crucifixion and subsequent resurrection are terse and understated, barely even serving their proper roles as climax and denouement to the film. In this Gospel, Christ is less a man than a visual summation of his words...

Author: By Ben B. Chung and Scoop A. Wasserstein, CRIMSON STAFF WRITERSS | Title: Film Review of The Passion of Christ | 3/5/2004 | See Source »

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