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...about Harriet Beecher Stowe. Once deliberations started, she alone said she thought Ariane’s testimony was fabricated. I felt betrayed; how could she? I noticed a note she had written to herself: “I was the only [juror in the pool] who confessed faith in Christ.” I almost went crazy. This woman, with her unshakable faith, was going to hang the jury...

Author: By Sarah M. Seltzer, | Title: I Fought (for) the Law | 7/16/2004 | See Source »

...reputation as a folksy firebrand of the left had already begun to ignite accusations that he had twisted facts to suit his politics. Faster than you can say, "That's the kind of publicity no amount of money can buy," Fahrenheit 9/11 had become a secular Passion of the Christ and the most hotly debated political film since Oliver Stone's JFK 13 years...

Author: /time Magazine | Title: The World According To Michael | 7/12/2004 | See Source »

...went to The Passion of the Christ on the second night, and there were two people speaking in tongues; other people had their rosary beads out. In this country 50% of the people go to church on a regular basis. And they went to that movie. My film has a much broader cross section of moviegoers--people from the general public...

Author: /time Magazine | Title: The World According To Michael | 7/12/2004 | See Source »

Fahrenheit 9/11 is The Passion of the Christ of the left. Both films established a base in a devoted minority: the evangelical right and the political left. Both films were attacked in the major media and profited from it: the faithful were galvanized, the films got an underdog status, and uncommitted moviegoers paid attention. As church groups recruited members to attend Mel Gibson's film its first weekend, so too the liberal lobby MoveOn.org signed up 110,000 members who pledged early attendance at the Moore movie...

Author: /time Magazine | Title: The World According To Michael | 7/12/2004 | See Source »

...sense of deja vu. Where had I felt such crowd dynamics before? And then I remembered. What I was sensing was eerily similar to the awestruck devotion I had noticed in another audience--this time of Fundamentalist Christians--as it watched Mel Gibson's The Passion of the Christ. Both movies were appealing to what might be called their cultural bases. They weren't designed to persuade. They were designed to rally the faithful, to use the power of imagery to evoke gut sentiment, to rouse the already committed to various forms of hatred or adoration...

Author: /time Magazine | Title: Blinded By The Light | 7/12/2004 | See Source »

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