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Director Mel Gibson’s The Passion of the Christ represents the teachings of Jesus through a gore-drenched recreation of the final twelve hours before his death. Here, the son of God is a wholly human figure, and Gibson constantly reminds his audience of this with an unceasing depiction of shredded flesh and spattered blood. The effect is alternately piercing and numbing. Nevertheless, Gibson eventually succeeds in overwhelming his audience with the kind of potent visual poignancy unseen in his previous directorial work. The telling of the story is equally effective, as screenwriters Gibson and Benedict Fitzgerald (Wise...

Author: By The Crimson Staff, THE CRIMSON STAFF | Title: Happenings | 3/12/2004 | See Source »

...PASSION OF THE CHRIST...

Author: By The Crimson Staff, THE CRIMSON STAFF | Title: Happenings | 3/12/2004 | See Source »

There are three fatal flaws that damage Mel Gibson’s The Passion of the Christ for nonbelievers: almost no characterization or narrative, a spectacularly large amount of violence and almost all of the Jews are evil Christ-killers. In Gibson’s mania to present the extent of Jesus’ suffering, character is lost, and by the end of the film, Jesus begins to resemble a piñata more than a man. The effect is that it is hard to understand quite what the point of all this is. It is never clear...

Author: By The Crimson Staff, THE CRIMSON STAFF | Title: Happenings | 3/12/2004 | See Source »

Gibson wrote, produced, directed and recently released The Passion of the Christ, an ultra-violent, divisive interpretation of the gospel story. The movie has been heavily criticized by film reviewers, theologians and viewers alike—but others claim it is uplifting and inspiring. In search of answers to the myriad questions the film stirs up, FM spoke with Harvard Divinity Assistant Professor of the New Testament Ellen Aitken about the film...

Author: By Annie M. Lowrey, CONTRIBUTING WRITER | Title: Passion with a Prof | 3/11/2004 | See Source »

...went to see The Passion Of The Christ last Wednesday afternoon in a working-class neighborhood of the Bronx, with an audience--a full house--composed mostly of blacks and Latinos. It was a stunning experience in a way that I didn't expect. The first scene of scourging, in which giddy, leering Roman guards torture Jesus with canes, cudgels and whips studded with glass shards, evoked a powerful reaction from the audience. There were gasps and audible sobbing, which continued for some time. But as the torture went on, and on, as Jesus staggered through the Stations...

Author: /time Magazine | Title: The Culture War Is Really a Culture Circus | 3/8/2004 | See Source »

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