Word: christe
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...inward experience of His followers, or as the inspiration to Christian Missions for the conversion of the world....[T]he Lecturer for each year shall be himself animated by...the hope of arousing in young men, and primarily in the students of Harvard University, the joy of service for Christ and humanity, especially in the ministry of the Christian Church...
...Spong has disavowed nearly every traditional Christian belief. In his self-congratulatory A Call for a New Reformation, Spong claims that theism is dead, that Jesus was not God incarnate, that original sin is false, that the virgin birth was impossible, that miracles never happened, that the story of Christ on the cross is "a barbarian idea," that Jesus was not resurrected, that prayer does not work, that there is no heaven or hell and that there is "no external, objective, revealed standard" for moral behavior (although, curiously, racism and sexism and homophobia are objectively wrong). Spong also accused...
...Although the seriousness of the script sometimes requires long, intellectual exchanges between Gary and Juliet, the emotionalism of several supporting actors refreshes the stage at key moments. Daniel Berwick '01, who directed last semester's Jesus Christ Superstar, is well cast as Gary's angry father. His deep voice and subtle acting make the intensely angry and abusive character believable. He has the confidence the part of Henry requires. His concerned wife is played by Edith Bishop '00. Her role is given little room for development by the script, but she nonetheless brings real pathos to the blank sympathy...
...erase the material body and biological identity. Tom Hauck, in "Sacred and Profane Love," targets conflicting images of sexuality as represented by mainstream society, moral codes and our impulsive biology. The struggle is phrased as the question of whether or not to reproduce-a baby wriggles between "sacred" Christ and "profane" naked couple, surrounded by scrawled mathematical equations, sketches of mechanical apparatus, sperm, houses, a clock and other miscellany...
...erase the material body and biological identity. Tom Hauck, in "Sacred and Profane Love," targets conflicting images of sexuality as represented by mainstream society, moral codes and our impulsive biology. The struggle is phrased as the question of whether or not to reproduce-a baby wriggles between "sacred" Christ and "profane" naked couple, surrounded by scrawled mathematical equations, sketches of mechanical apparatus, sperm, houses, a clock and other miscellany...